Cornel West
Cornel West
Cornel Ronald Westis an American philosopher, academic, social activist, author, public intellectual, and prominent member of the Democratic Socialists of America. The son of a Baptist minister, West received his undergraduate education from Harvard University, graduating with a bachelor's degree in 1973, and received a Ph.D. from Princeton University in 1980, becoming the first African American to graduate from Princeton with a Ph.D. in philosophy. He taught at Harvard in 2001 before leaving the school after a highly publicized dispute...
NationalityAmerican
ProfessionEducator
Date of Birth2 June 1953
CountryUnited States of America
Try to just be true to ourselves, whoever we are, but willing to grow, even as we're true to ourselves.
I love the academy in terms of the life of the mind and the world of ideas. I also love the streets. I love the churches and mosques and synagogues. I love the trade union centers. I love the community centers. I speak regularly at prisons and so forth.
And so the question becomes, what you do in the meantime? And you go - if you're forever on the move, especially in the life of the mind; forever reading veraciously, writing, speaking, lecturing, trying to unsettle minds, trying to touch souls, trying to encourage and inspire, on the one hand, but also trying to unhouse and unnerve people, so that they have to reexamine themselves, society and the world on the others. There's tremendous joy in it.
Jesus loves a free black man.
I think that when we talk about education I was also blessed to talk with my dear brother Arne Duncan. I had never met him, the secretary of Education. We had a wonderful talk. And I had told him quite explicitly education is a right, it's not a race to the top.
One is that I am a regular, everyday person, you know what I mean. I feel that wherever I am, I really am.
I was deeply influenced by the sartorial practices of both preachers and jazz musicians and actually Masha in Act One of Anton Chekhov, my favorite writer's master piece,Three Sisters,when she arrives reflecting on whether they're ever going to get to Moscow, memories of the death of their father, and she's in black, and she says I'm in mourning for the world, saying in part that I have a sad soul and a cheerful disposition.
I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?
There is something about boldness and fearlessness and being free enough to speak what is on one's mind that warrants freedom.
There is no fundamental social change by being simply of individual and interpersonal actions. You have to have organizations and institutions that make a fundamental difference.
There is always a very delicate interplay between individual actions and institutional conditions.
When black America is on the move, America is on the move.
The conversation with the dead is one of the great pleasures of life. Somebody who is sitting reading Chekhov, Beckett, reading Toni Morrison - you are not in any way dead, in many ways you are intensely alive.
Pleasure, no matter how desirable, is never innocent: it's always presupposing and assuming a certain kind of social order, one usually shot through structures of domination.