Colin Firth
Colin Firth
Colin Andrew Firth, CBEis an English actor. Firth's films have grossed more than $3 billion from 42 releases worldwide. Firth has received an Academy Award, a Golden Globe Award, two British Academy Film Awards, and three Screen Actors Guild Awards, as well as the Volpi Cup. Firth's most notable and acclaimed role to date has been his 2010 portrayal of King George VI in The King's Speech, a performance that earned him an Oscar and multiple worldwide best actor awards...
NationalityBritish
ProfessionMovie Actor
Date of Birth10 September 1960
CityGrayshott, England
There's no point in it unless it's a story that you really want to tell. It's a nebulous job. Unless you're doing it well, you're not doing anything. And there are a few of those. It's perfectly possible to be a passenger on a film set because if somebody else has written it, you can make nothing of that role and that's exactly what bad directors do.
If you're playing someone who's got marital problems, you have to play someone who's trying not to have marital problems. So, you've got to get into the problem first.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
It's whether they have a vision and whether they're able to communicate it. The best director is just someone who gets over-excited about doing it - they don't even have to know much about camera or acting.
So, if you haven't picked up some tips during an apprenticeship like that, you shouldn't be directing. It doesn't mean you can do it, but it loads you up with information.
They said: "Make it in this amount of time and go for it now..." Which is why I was suddenly ambushed and we all found ourselves doing it. I suspect this wasn't quite recognisable in its genre to give people the confidence just to throw money at it.
It's hard to get yourself into a position where someone will trust you to direct a film anyway, whatever sex you are. Certainly in England, the film set is a very male preserve. There's a lot of very rough looking men pushing equipment around that don't want the gaffer to be a girl.
There's a para-phrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.
Some people come up to be directors by coming through the camera department and there's not a lot of women in the camera department. The ones that are have to kind of prove they're one of the boys, I think. I don't want to get into trouble with generalisations but I think it's a fair observation.
Something like Shakespeare in Love, which became such an established hit that it now seems like a foregone conclusion... but it really wasn't. The script was around for a very, very long time and had people chickening out all the time.
I find that at almost every press junket I get that comment, "this character's different from what you generally play..." And that's OK! But I think "generally play" stems back to Mr Darcy. I'm fine with it but I tend to find that if it's a departure, which in other people's words it always is, it's always a departure from that.
So, I think there's a danger that good stuff can fall by the wayside if it doesn't conform to formula. But I think it comes down to money and they just don't know where it's going if they haven't got any precedent.
However good a communicator a director is, unless they've been actors, it's just not the same as the shorthand you get with someone who's been an actor.
But it's interesting being directed by someone who is a very good actor. There's nothing like it. It might sound like a territorial thing about what I do, but I don't think you can understand what it is until you've done it. I know that to be a fact.