Colin Firth
Colin Firth
Colin Andrew Firth, CBEis an English actor. Firth's films have grossed more than $3 billion from 42 releases worldwide. Firth has received an Academy Award, a Golden Globe Award, two British Academy Film Awards, and three Screen Actors Guild Awards, as well as the Volpi Cup. Firth's most notable and acclaimed role to date has been his 2010 portrayal of King George VI in The King's Speech, a performance that earned him an Oscar and multiple worldwide best actor awards...
NationalityBritish
ProfessionMovie Actor
Date of Birth10 September 1960
CityGrayshott, England
My parents and grandparents have always been engaged in teaching or the medical profession or the priesthood, so I've sort of grown up with a sense of complicity in the lives of other people, so there's no virtue in that; it's the way one is raised.
I do notice that when I've been away and I come back to London. People look at you. People are ready to pick arguments.
People have the idea of missionaries as going out with the Bible and hitting natives with it. It's not really what they were doing. They were all doing something rather different.
One of my grandfathers, actually, having gone out there as a minister, decided he would better serve the people as a doctor. So at a very late age - at the age of 38 in fact - he changed course and decided to become a doctor.
I'm not patient, and some things drive me crazy. In my work, I get incredibly upset when people don't get it right or don't respect others' needs.
The English people, a lot of them, would not be able to understand a word of spoken Shakespeare. There are people who do and I'm not denying they exist. But it's a far more philistine country than people think.
Actors are basically drag queens. People will tell you they act because they want to heal mankind or, you know, explore the nature of the human psyche. Yes, maybe. But basically we just want to put on a frock and dance.
The great thing about dealing with people about whom we have historical resources, is that if the writing needs work, there's everywhere to go to enrich it.
It's entirely to do with personality, I think. There are good directors who talk a lot, bad directors who talk a lot, and good directors who don't say much and vice-versa. It just depends on whether people respond to that personality and whether people have a willingness to do something for them.
They said: "Make it in this amount of time and go for it now..." Which is why I was suddenly ambushed and we all found ourselves doing it. I suspect this wasn't quite recognisable in its genre to give people the confidence just to throw money at it.
Some people come up to be directors by coming through the camera department and there's not a lot of women in the camera department. The ones that are have to kind of prove they're one of the boys, I think. I don't want to get into trouble with generalisations but I think it's a fair observation.
Something like Shakespeare in Love, which became such an established hit that it now seems like a foregone conclusion... but it really wasn't. The script was around for a very, very long time and had people chickening out all the time.
I've actually heard people protesting furiously about straight male costume people as well. It's not universal and there are examples that break the mould all over the place. In my experience, it's more prevalent in the UK than in America.
I think it helps to get a film made because people who put money in are nervous. They like to have something recognisable enough to make them secure that there's a pattern there - that someone else put their money into something like this and made it back.