Christopher Nolan

Christopher Nolan
Christopher Edward Nolan is a British film director, screenwriter, and producer. He is one of the highest-grossing directors in history, and among the most successful and acclaimed filmmakers of the 21st century...
NationalityBritish
ProfessionDirector
Date of Birth30 July 1970
authors centuries college english enjoyed filmmakers films freedoms good narrative seemed studied thinking time
I studied English Literature. I wasn't a very good student, but one thing I did get from it, while I was making films at the same time with the college film society, was that I started thinking about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers should enjoy those freedoms as well.
batman certainly consider felt finished glad great large scale sequel unless
I wouldn't consider doing a Batman sequel unless I felt like it could be a great film, a film even better than the one we already made. But I certainly couldn't do another one on such a large scale right after having finished this one. I'm very glad to be doing something completely different.
almost audience commentary days exactly explain feeling gets hold instead material maybe people production surprised tricky until
I didn't do a commentary on the DVD, which people were maybe surprised by. To be honest, my feeling is that commentaries are very tricky because I feel like the audience completes the film, and until a film gets out there you almost don't know exactly what it is that you've done. You have to do commentaries these days before the movie is even in theaters, so I wanted to hold off and instead just have them use the material that we generated during production to explain our intentions.
batman book character comic draws fan literary myth powerful romantic
I have always been a big fan of the character and am more of a moviegoer than a comic book guy. There is always something about the character of Batman that is very elemental. There is a great, powerful myth to the character and romantic element...that draws from a lot of literary sources.
becoming choice choosing happy people
I'm very happy where 3-D is going, which is that it's becoming a choice - and thankfully, most people are still choosing 2-D.
attitude towards
I'm taking a bit of a wait-and-see attitude towards 3D.
approach figured realizing responding whatever
My approach with actors is to try and give them whatever it is they need from me. Direction to me is about listening and responding and realizing how much they need to know from me and how much they have figured out for themselves, really.
cope exactly few remind suddenly
I sometimes think how strange it is that I've got to do exactly what I want, and that is difficult to cope with. You have to remind yourself every few weeks: I'm making this film and this is exactly what I want to do. And suddenly you're happy again.
aspiration experience hollywood looked mind movies opportunity satisfying
But in the back of my mind I've always looked to the biggest-scale Hollywood movies. Because to me the most satisfying experience is of watching a movie, if it's done really well. And so that aspiration is always it for me, if I have the opportunity to do it.
either mind performance tendency
I try not to have actors in mind when I write because the tendency then is to be influenced by either their last performance or your favourite of their performances.
kids tends
I think there has been this increasing misperception that kids will not respond to something because it's also for adults. I think that often that tends to get underestimated.
time
No, I've only ever done one film at a time.
movies vague
I think there's a vague sense out there that movies are becoming more and more unreal. I know I've felt it.
I've never read Joseph Campbell, and I don't know all that much about story archetypes.