Christopher Nolan
Christopher Nolan
Christopher Edward Nolan is a British film director, screenwriter, and producer. He is one of the highest-grossing directors in history, and among the most successful and acclaimed filmmakers of the 21st century...
NationalityBritish
ProfessionDirector
Date of Birth30 July 1970
dreams fascinated interested since though
But I have been interested in dreams, really since I was a kid. I have always been fascinated by the idea that your mind, when you are asleep, can create a world in a dream and you are perceiving it as though it really existed.
amount discovered enormous material shoot
Well, you always discover a lot in the editing room. Particularly the action, because you have to over-shoot a lot and shoot an enormous amount of material because many of the sequences have to be discovered in the editing and manipulation of it.
absolute audience budgets filmmaker given highest responsibility shooting technology work
But, in each case, as a filmmaker who's been given sizable budgets with which to work, I feel a responsibility to the audience to be shooting with the absolute highest quality technology that I can and make the film in a way that I want.
almost appetite bad break cultural definitely england good great hollywood suspicion trying voracious
In Hollywood there's a great openness, almost a voracious appetite for new people. In England there's a great suspicion of the new. In cultural terms, that can be a good thing, but when you're trying to break into the film industry, it's definitely a bad thing.
almost audience commentary days exactly explain feeling gets hold instead material maybe people production surprised tricky until
I didn't do a commentary on the DVD, which people were maybe surprised by. To be honest, my feeling is that commentaries are very tricky because I feel like the audience completes the film, and until a film gets out there you almost don't know exactly what it is that you've done. You have to do commentaries these days before the movie is even in theaters, so I wanted to hold off and instead just have them use the material that we generated during production to explain our intentions.
batman certainly consider felt finished glad great large scale sequel unless
I wouldn't consider doing a Batman sequel unless I felt like it could be a great film, a film even better than the one we already made. But I certainly couldn't do another one on such a large scale right after having finished this one. I'm very glad to be doing something completely different.
batman book character comic draws fan literary myth powerful romantic
I have always been a big fan of the character and am more of a moviegoer than a comic book guy. There is always something about the character of Batman that is very elemental. There is a great, powerful myth to the character and romantic element...that draws from a lot of literary sources.
authors centuries college english enjoyed filmmakers films freedoms good narrative seemed studied thinking time
I studied English Literature. I wasn't a very good student, but one thing I did get from it, while I was making films at the same time with the college film society, was that I started thinking about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers should enjoy those freedoms as well.
audiences believe familiar hearing shake
I think audiences get too comfortable and familiar in today's movies. They believe everything they're hearing and seeing. I like to shake that up.
believe bill eyes fire fit guy himself somehow superhero
Somehow he just really fit the bill and had that fire in his eyes that made you believe this guy could make himself fit into a superhero role,
thinking blade-runner sound
The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.
dream memories emotional
When you're dealing with the world of dreams, the psyche, and potential of a human mind, there has to be emotional stakes. You have to deal with issues of memory and desire.
fall batman-dark-knight trilogies
Why do we Fall? So we can learn to pick ourselves back up.
mean play people
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.