Cameron Crowe
Cameron Crowe
Cameron Bruce Crowe is an American actor, author, director, producer, screenwriter and journalist. Before moving into the film industry, Crowe was a contributing editor at Rolling Stone magazine, for which he still frequently writes...
NationalityAmerican
ProfessionDirector
Date of Birth13 July 1957
CityPalm Springs, CA
CountryUnited States of America
hero character heart
The battered idealist. It's just my favorite character ... To me, a hero is somebody who is able to accept the environment of the world, deal with the stuff that's thrown in their path ... and somehow keep their heart.
american-director build characters filmmakers gone stories truths universal
It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
advice angels appear character expect generally gone help life people piece sends surprising
Life sends you angels sometimes when you're in need and, in my theory, it's usually never the people you expect to be there. They are often gone the people that appear with a piece of advice or something they want to give to you to help you through are generally surprising people and I wanted Kirsten's character to be that.
became characters cutting editing figure showing start themes wholesale within worlds
There are so many different themes and characters and worlds within the movie. Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working.
became characters cutting editing figure showing start themes wholesale within worlds
There are so many different themes and characters and worlds within the movie, ... Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working.
again bigger character develop double favorites gets later listen maybe simpler start supposed themes tv
I like double albums, ... And this was kind of a double album. And with double albums, sometimes you say, 'Well this is a whole lot to process.' But then you listen to it again and you start to develop favorites and it gets a character all its own. And then you think maybe you see this movie later on TV and you start to think, 'Well, you know what? I get it. That all these themes are supposed to be part of a bigger simpler theme.'
mix name obvious stuff tape
And yeah, she would put 'Pride (In the Name of Love)' on it. You do go for some obvious stuff when you make a mix tape because it reinvents itself.
commercial guy liked orlando together
Orlando was the first guy I thought of because we'd done a commercial together and I just liked him -- every take was different.
along beginning defining life success
Orlando's character, at the beginning of the movie, is defining success and failure. But then life comes along and trumps that.
billy wilder
Billy Wilder once told me, 'Make 'em personal,' ... 'But make 'em for the people.'
believe happened later oddly people personal stuff wondered
The thing was always, as every story you write has a built-in problem, was: Was it too personal. That was the thing I wondered about for a long time. Oddly enough, it's often the personal stuff that people come up to you later and say about it, 'I can't believe you put that in a movie. That happened to me.' And sometimes, the thing that you make up happened to no one.
short
I wanted it to feel like a short story, but it's a long short story,
mostly shoe success
Mostly it was about the success of the shoe: Does the shoe come back? I had to look at it without that scene,
bum minutes picture wilder
Wilder would say, 'Ninety minutes for this picture is all my bum can take in a seat',