Boy George

Boy George
George Alan O'Dowd, known professionally as Boy George, is an English singer, songwriter, DJ, fashion designer and photographer. He is the lead singer of the Grammy and Brit Award-winning pop band Culture Club. At the height of the band's fame, during the 1980s, they recorded global hit songs such as "Do You Really Want to Hurt Me", "Time" and "Karma Chameleon" and George was known for his soulful voice and androgynous appearance. He was part of the English New Romantic...
NationalityEnglish
ProfessionPop Singer
Date of Birth14 June 1961
CityLondon, England
Certain punk bands were influential because I thought, If they can do that then I can .Hanging around those bands was how I started my first band - In Praise of Lemmings.
The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn't care.
I suppose all of those New Romantic clubs were quite up their own asses in a way. Well, Taboo was up its own ass in a different way, but not in terms of rules.
I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
What happened during the previews of Taboo [ musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that . . ." It was really looking at the music and it was really complimentary. It was a huge thing.
I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.
I was really good friends with Matthew Ashman, the guitarist in Bow Wow Wow. He died, unfortunately. He was one of my best friends during my sort of punk period.
The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
Leigh [ Bowery] would create fake guest lists and put the most ridiculous names on them - Joan Collins, or really naff soap stars who would never grace the door of Taboo.
Warren Street was at the high end of the New Romantic scene. They were mostly college art students and people who knew top designers.
Tweeting is something you can do wherever you are, on your phone, on the computer, in an airport lounge. It's easy to do, and I do find it fun to communicate with people. It's quite nice that we can have almost direct contact with anyone in the world at any time. I don't know how important it is in terms of one's career. It seems to be pretty much superfluous in terms of that, but it's nice to communicate.
The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.
I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
A lot of Donna Summer and things that maybe weren't trendy anymore or weren't hip in gay clubs but you'd hear them at Taboo.