Boy George
Boy George
George Alan O'Dowd, known professionally as Boy George, is an English singer, songwriter, DJ, fashion designer and photographer. He is the lead singer of the Grammy and Brit Award-winning pop band Culture Club. At the height of the band's fame, during the 1980s, they recorded global hit songs such as "Do You Really Want to Hurt Me", "Time" and "Karma Chameleon" and George was known for his soulful voice and androgynous appearance. He was part of the English New Romantic...
NationalityEnglish
ProfessionPop Singer
Date of Birth14 June 1961
CityLondon, England
Gay unions, what is that about? I haven't been invited to any ceremonies, and I wouldn't go anyway. The idea that gay people have to mimic what obviously doesn't work for straight people any more... I think is a bit tragic. I am looking forward to gay divorces.
My God is better than your God
My mother and father were fantastic, very active. I find it difficult to say this, but I'm quite a loving person and I've always been loving to my friends. In the long run, that pays off. I'm very interested in other people, and if you are, they're interested in you.
Part of me looks at the gay movement now and worries that we're losing our individuality.
Very few people can truly divorce themselves from what they feel emotionally and sexually.
I'm not responsible enough to have a dog - or a child.
Beethoven had a great look. It was very much about the drama of appearance.
Karma chameleon: we come and go, we come and go...
Leigh [ Bowery] would make up stories about people committing suicide or going on hunger strikes because they were refused entry at the door.
For me the most interesting thing about Leigh Bowery was the way he used his body as a style statement. He was a big guy, but, because he was tall and had long legs, he looked in proportion - even sexy - -despite being overweight by conventional -standards.
The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules. You had Jeffrey Hinton playing every kind of music. It was like going back to when I used to deejay at Planet in '79, where you'd mix in nutty things like hip-hop or reggae or The Sound of Music [1965] or other film soundtracks - whatever.
Leigh [Bowery ] obviously loved having me in the club because I would attract media, and he loved and lived for his column inches.
Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] - things that you probably shouldn't like.
I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.