Billy Collins
Billy Collins
William James "Billy" Collinsis an American poet, appointed as Poet Laureate of the United States from 2001 to 2003. He is a Distinguished Professor at Lehman College of the City University of New York and is the Senior Distinguished Fellow of the Winter Park Institute, Florida. Collins was recognized as a Literary Lion of the New York Public Libraryand selected as the New York State Poet for 2004 through 2006. He isa teacher in the MFA program at Stony Brook...
NationalityAmerican
ProfessionPoet
Date of Birth22 March 1941
CityNew York City, NY
CountryUnited States of America
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
…balancing the wish to be lost with the need to be found.
I think a good poem should have some inscrutable part. You can't quite explain it. The poem can only explain itself to a certain limit and at that point you enter into a little bit of mystery. That for me is the perfect poem: to begin in clarity and to end in mystery.
This is not what it is like to be you, I realized as a few of your magnificent clouds flew over the rooftop. It is just me thinking about being you. And before I headed back down the hill, I walked in a circle around your house, making an invisible line which you would have to cross before dark.
Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem's room and feel the walls for a light switch. I want them to waterski across the surface of a poem waving at the author's name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
And I should mention the light which falls through the big windows this time of day italicizing everything it touches...
Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.
Nationalism is a type of insanity in which the boundaries of a land replace God.
By clarity I don't mean that we're always in kind of a simple area where everything is clear and comforting and understood. Clarity is certainly a way toward disorientation because if you don't start out - if the reader isn't grounded, if the reader is disoriented in the beginning of the poem, then the reader can't be led astray or disoriented later.
A sentence starts out like a lone traveler heading into a blizzard at midnight, tilting into the wind, one arm shielding his face, the tails of his thin coat flapping behind him.
Write the poem only you can write.