Amanda Palmer

Amanda Palmer
Amanda MacKinnon Gaiman Palmer, sometimes known as Amanda Fucking Palmer, is an American singer-songwriter who first rose to prominence as the lead singer, pianist, and lyricist/composer of the duo The Dresden Dolls. She has had a successful solo career, is also one-half of the duo Evelyn Evelyn, and is the lead singer and songwriter of Amanda Palmer and the Grand Theft Orchestra...
NationalityAmerican
ProfessionRock Singer
Date of Birth30 April 1976
CityNew York City, NY
CountryUnited States of America
I don't feel at home in New Orleans. I don't feel at home in Austin or L.A. And I just felt immediately at home in northern Australia.
Sean and Paul have been following the band's growth for the past two years and have a real understanding of what we're trying to capture. The record is going to be fast and furious, immediate and raw.
I feel pretty good. Three meets in a week is alot.
There are a lot of ways in which Brian and I have nothing in common. I remember saying to Brian - it broke his heart but it was true - this is the one-year point where if you were my boyfriend I would break up with you, but this is a band.
You get the feeling that on a lot of days the audience for most music would kind of rather not be faced with the artist, especially because we've been educated to think that the artist are these special creatures are otherwordly and aren't like us.
If you stuck me in a room and gave me art-making tools but told me no one would ever see the results, I don't think I'd have much desire to make art. What I do comes from a deep desire to be seen and to see others.
I've been in a recording studio enough times to know that it is not the best place to multitask. Doing a couple of takes of a song and running out to check your email to talk to someone about video production really is not good.
I'd actually say that every musician is a human being, and that not everybody likes being social. But with music, there are all these ingredients to the business that have nothing to do with writing songs or playing an instrument.
This was not an easy decision and we're sorry for the late notice. Once we finish up the recordings of record number two the full Dresden Dolls experience will be back out on the road.
The key is to just focus on the spots where the love is real, because you can just drive yourself crazy focusing on the negativity, focusing on the relationships that are irreparable and just aren't going to work, trying to convince the haters that you are indeed lovable. So much of that is wasted energy.
All of my music, my stage show, my personality, my blog, my twitter feed, anything that's made me me, and a huge part of why people like and respect me, is that I just don't spend much energy on that other stuff. It's not worth it. It's a losing battle too. You're just screwed the minute you engage.
Men find powerful women so threatening, and finding a partner was starting to look laughable, because I would be really attracted to guys and they would just be so threatened and I didn't like feeling threatening, I didn't want to feel threatened, I didn't want to feel like I was towering over anybody.
I wanted to feel like I could extend someone else's joy and not crush it, and that is the giant paradox nowadays of being a powerful woman: you want to live in a space of compassion and helpfulness and joy and expression, and the world is standing there, pointing the finger at you and telling you that you're greedy and domineering and attention-grabbing, and all you can do is shrug and just say, "Hopefully, someone out there understands and isn't misinterpreting."
The minute I spend any energy defending myself, explaining myself, or in the worst case scenario, trying to please those who are criticizing me, I will, you know, just fall off a cliff.