Aleksandr Solzhenitsyn

Aleksandr Solzhenitsyn
Aleksandr Isayevich Solzhenitsyn was a Russian novelist, historian, and short story writer. He was an outspoken critic of the Soviet Union and its totalitarianism and helped to raise global awareness of its Gulag forced labor camp system. He was allowed to publish only one work in the Soviet Union, One Day in the Life of Ivan Denisovich, in the periodical Novy Mir. After this he had to publish in the West, most notably Cancer Ward, August 1914, and The Gulag...
NationalityRussian
ProfessionNovelist
Date of Birth11 December 1918
CityKislovodsk, Russia
CountryRussian Federation
In military science there is a principle more important than "Forward": it is that the task should be proportionate to the means.
Mourn if you must, but don't stop fighting.
When we feel that we are not sufficiently respected, we should ask ourselves whether we are living as we should.
If you want to change the world, who do you begin with, yourself or others? I believe if we begin with ourselves and do the things that we need to do and become the best person we can be, we have a much better chance of changing the world for the better.
You only have power over people so long as you don't take everything away from them. But when you've robbed a man of everything, he's no longer in your power - he's free again.
First would be the literary side, then the spiritual and philosophical. The political side is required principally because of the necessity of the current Russian position.
I can say without affectation that I belong to the Russian convict world no less than I do to Russian literature. I got my education there, and it will last forever.
Today when we say the West we are already referring to the West and to Russia. We could use the word 'modernity' if we exclude Africa, and the Islamic world, and partially China.
The solemn pledge to abstain from telling the truth was called socialist realism.
Should one point out that from ancient times decline in courage has been considered the beginning of the end?
Gradually it was disclosed to me that the line separating good and evil passes not through states, not between classes, nor between political parties, but through every human heart
There is no point asserting and reasserting what the heart cannot believe.
We didn't love freedom enough.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers