Albert Brooks
Albert Brooks
Albert Lawrence Brooksis an American actor, filmmaker and comedian. He received an Academy Award nomination for Best Supporting Actor for 1987's Broadcast News. His voice acting credits include Marlin in Finding Nemoand Finding Dory, and recurring guest voices for The Simpsons, including Russ Cargill in The Simpsons Movie. Additionally, he has directed, written, and starred in several comedy films, such as Modern Romance, Lost in America, and Defending Your Lifeand is the author of 2030: The Real Story of What...
NationalityAmerican
ProfessionMovie Actor
Date of Birth22 July 1947
CityBeverly Hills, CA
CountryUnited States of America
I was allowed to film in the biggest mosque in India and when I told the imam the plot of the movie he started to laugh,
You know what it is, the reason so many 18-year-olds, 19-year-olds are saying 'Drive' is their favorite movie is that 'Drive' is a 90-minute trip into what a lot of seventies filmmaking was. It encapsulates the best of a certain kind of style, and a style that a lot of people haven't seen before, with the music and the way it's edited.
It's better to be known by six people for something you're proud of than by 60 million for something you're not.
The world really changed after 9/11, not just in the tragic way, but in every way. So it took me a couple of years to even understand how my art form I could process any of this. When the world changed, eliciting laughter with subjects that were funny to me before 9/11 just didn't seem good enough.
This was enormously challenging, because it involved filling 120 blank pages with an actual story and words people say.
Fear is playing a major part in Hollywood production,
The whole world is tense. Everybody gets the international news. There's been no American comedy at all that even remotely addresses the subject in any way. My goal isn't to solve the world's problems. My character wasn't even able to do his assignment. But the premise of wanting to find out about somebody -- other than the stuff that the CIA will tell you -- there's no hope unless we do that.
Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.
Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
Steven Spielberg seems to have wanted to be a director from 13. He put his dog in a certain position and made him eat at four o'clock. He liked to direct it. But, to me, directing is tedious. Especially if you're acting in it. And I'm inherently lazy.
When I went to acting school, the kids that got the best grades were the kids that could cry on cue. But it didn't really translate into careers for any of them, because the external is the easy part.
If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.
I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.