Albert Brooks
Albert Brooks
Albert Lawrence Brooksis an American actor, filmmaker and comedian. He received an Academy Award nomination for Best Supporting Actor for 1987's Broadcast News. His voice acting credits include Marlin in Finding Nemoand Finding Dory, and recurring guest voices for The Simpsons, including Russ Cargill in The Simpsons Movie. Additionally, he has directed, written, and starred in several comedy films, such as Modern Romance, Lost in America, and Defending Your Lifeand is the author of 2030: The Real Story of What...
NationalityAmerican
ProfessionMovie Actor
Date of Birth22 July 1947
CityBeverly Hills, CA
CountryUnited States of America
This was enormously challenging, because it involved filling 120 blank pages with an actual story and words people say.
I had a very wise person tell me that he thinks marriage, when you're younger, you keep thinking you can fix things. That's what people do. And you can't really fix anything. It shouldn't be a massive difficult thing every day. Life's difficult enough.
It's better to be known by six people for something you're proud of than to be known by sixty million for something you're not.
How many people didn't get a part who would have been better than the person who got the part? Thousands.
I cast unusual people in my movies.
I just like making people laugh, and buried in that I like to bring up topics and start discussions.
I've been to many funerals of funny people, and they're some of the funniest days you'll ever have, because the emotions run high.
In the beginning of any career, in every job, people are always forcing you to the middle.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
I don't want to get close to people who have secrets that I don't know about.
For the most part, improvising while cameras are rolling is very difficult. 99% of people you should never ask to do that, because they're under pressure, the clock is running, 80 people are staring at you...it's always unnatural.
When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.
You make friends with older people and you always feel young no matter what.
All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.