Related Quotes
notebook running writing
I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs. Charles de Lint
notebook growing-up artist
Growing up, I'd already decided I wanted to be a beatnik. A Bohemian poet, I thought. Or a musician. Maybe an artist. I'd dress in black turtlenecks and smoke Gitanes. I'd listen to cool jazz in clubs, getting up to read devastating truths from my notebook, leaning against the microphone, cigarette dangling from my hand. Charles de Lint
notebook real character
As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed. Charles de Lint
notebook prayer heart
When I am praying the most eloquently, I am getting the least accomplished in my prayer life. But when I stop getting eloquent and give God less theology and shut up and just gaze upward and wait for God to speak to my heart He speaks with such power that I have to grab a pencil and a notebook and take notes on what God is saying to my heart. Aiden Wilson Tozer
notebook motivation powerful
Goddard represented a unique combination of visionary dedication and technological brilliance. He studied physics because he needed physics to get to Mars. In reading the notebooks of Robert Goddard, I am struck by how powerful his exploratory and scientific motivations were - and how influental speculative ideas, even erroneous ones, can be on the shaping of the future. Carl Sagan
notebook pages way
Looking at and shaping your own work is a very intuitive process. You see something you've written in your notebook. It's there on the page and either feels right or it doesn't, and it's hard sometimes to go beyond that and discover why it feels that way. Chad Harbach
notebook running block
Writing on a computer feels like a recipe for writer's block. I can type so fast that I run out of thoughts, and then I sit there and look at the words on the screen, and move them around, and never get anywhere. Whereas in a notebook I just keep plodding along, slowly, accumulating sentences, sometimes even surprising myself. Chad Harbach
notebook writing design
Carry a notebook and write down examples of good and poor design. After a week, you'll begin to realize that nearly everything is the product of a design decision. Daniel H. Pink
notebook writing past
Young writers should read books past bedtime and write things down in notebooks when they are supposed to be doing something else. Daniel Handler
dream unique desire
Like everyone else I am what I am: an individual, unique and different, with a lineal history of ancestral promptings and urgings; a history of dreams, desires, and of special experiences, all of which I am the sum total. Charlie Chaplin
dream grateful passion
The best thing in life is to go ahead with all your plans and your dreams, to embrace life and to live everyday with passion, to lose and still keep the faith and to win while being grateful. All of this because the world belongs to those who dare to go after what they want. And because life is really too short to be insignificant. Charlie Chaplin
dream book writing
I think I must write a book. It has been my cherished dream and I feel an influence that I cannot resist calling me to the task. Charles W. Chesnutt
dream long bees-and-honey
The little bee returns with evening's gloom, To join her comrades in the braided hive, Where, housed beside their might honey-comb, They dream their polity shall long survive. Charles Tennyson Turner
dream home waiting
What I want to do is travel deep and deeper into the dreamlands, to find that place that I know is waiting for me here. My home. Charles de Lint
dream memories want
... we chase after ghosts and spirits and are left holding only memories and dreams. It's not that we want what we can't have; it's that we've held all we could want and then had to watch it slip away. Charles de Lint
dream sleep eye
There is a drowsy state, between sleeping and waking, when you dream more in five minutes with your eyes half open, and yourself half conscious of everything that is passing around you, than you would in five nights with your eyes fast closed, and your senses wrapt in perfect unconsciousness. At such time, a mortal knows just enough of what his mind is doing, to form some glimmering conception of its mighty powers, its bounding from earth and spurning time and space, when freed from the restraint of its corporeal associate. Charles Dickens
dream morning eye
The town was glad with morning light; places that had shown ugly and distrustful all night long, now wore a smile; and sparkling sunbeams dancing on chamber windows, and twinkling through blind and curtain before sleepers’ eyes, shed light even into dreams, and chased away the shadows of the night. Charles Dickens
dream cities wish
A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it. Charles Dickens
art drama blood
The cinema is little more than a fad. It's canned drama. What audiences really want to see is flesh and blood on the stage. Charlie Chaplin
art silence world
Sound has spoiled the most ancient of the world's arts, the art of pantomime, and has canceled out the great beauty that is silence. Charlie Chaplin
art money truth
I went into the business for the money, and the art grew out of it. If people are disillusioned by that remark, I can't help it. It's the truth. Charlie Chaplin
art book facts
There are more valid facts and details in works of art than there are in history books. Charlie Chaplin
art reality acting
Politics, when it is an art and a service, not an exploitation, is about acting for an ideal through realities. Charles de Gaulle
art teaching use
You don't have to be Michelangelo to teach basic art, just as you don't have to be Shakespeare to be able to teach the correct use of language. Charles de Lint
art people tongue
It reminded me of that tongue-in-cheek quick history of art I'd overheard...Used to be people couldn't draw very well, then they could, and now they can't again. Charles de Lint
art ideas air
From the first time he’d met her, he’d sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people’s art and ideas... Charles de Lint
art eye thinking
People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession. Charles de Lint