Walter Benjamin
Walter Benjamin
Walter Bendix Schönflies Benjamin was a German Jewish philosopher and cultural critic. An eclectic thinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School, and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Scholem. He was also related by law to German political theorist Hannah Arendt through her first marriage...
NationalityGerman
ProfessionCritic
Date of Birth15 July 1892
CountryGermany
Dreams and reality are opposites. Action synthesizes them.
The power of a text is different when it is read from when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.
In the world's structure dream loosens individuality like a bad tooth.
If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience.
To the lover the loved one always appears as solitary.
Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away.
Not to find one's way around a city does not mean much. But to lose one's way in a city, as one loses one's way in a forest, requires some schooling. Street names must speak to the urban wanderer like the snapping of dry twigs, and little streets in the heart of the city must reflect the times of day, for him, as clearly as a mountain valley. This art I acquired rather late in life; it fulfilled a dream, of which the first traces were labyrinths on the blotting papers in my school notebooks.
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed; an architectural one, where it is constructed; and finally, a textile one, where it is woven.
I had to adjust to living in a Third World country, which means that things people in the U.S. take for granted-like hot running water whenever you turn on the tap-are not always available.
In the long run, the people are our only appeal. The only ones who can free us are ourselves.
I'm crafting a vision of my life that involves creativity. And Cuban society allows me to do this. I know it's harder in the U.S. where so many people are just grateful to have a job.
There's something about approaching 50 that's very liberating. Political struggle has always been a 24-hour-a-day job for me. I felt I could never take time out for myself. Now I feel I owe it to myself to develop in ways I've been putting off all my life.
Being in Cuba has allowed me to live in a society that is not at war with itself. There is a sense of community. It's a given in Cuba that, if you fall down, the person next to you is going to help you get up.
I think it's really hard to plan if you don't believe you can implement those plans.