Walter Benjamin
Walter Benjamin
Walter Bendix Schönflies Benjamin was a German Jewish philosopher and cultural critic. An eclectic thinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School, and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Scholem. He was also related by law to German political theorist Hannah Arendt through her first marriage...
NationalityGerman
ProfessionCritic
Date of Birth15 July 1892
CountryGermany
I think that spirituality is important for all people to develop. I don't mean there necessarily has to be a religious aspect to spirituality. Some people are spiritual in a religious way, other people are spiritual in their work and in their art and in their treatment of other people.
Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be.
The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
The art of the critic in a nutshell: to coin slogans without betraying ideas. The slogans of an inadequate criticism peddle ideas to fashion.
In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.
Mechanical reproduction emancipates the work of art from its parasitical dependence on ritual.
Art teaches us to see into things. Folk art and kitsch allow us to see outward from within things.
The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out.
Not to find one's way around a city does not mean much. But to lose one's way in a city, as one loses one's way in a forest, requires some schooling. Street names must speak to the urban wanderer like the snapping of dry twigs, and little streets in the heart of the city must reflect the times of day, for him, as clearly as a mountain valley. This art I acquired rather late in life; it fulfilled a dream, of which the first traces were labyrinths on the blotting papers in my school notebooks.
The film is the first art form capable of demonstrating how matter plays tricks on man.
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed; an architectural one, where it is constructed; and finally, a textile one, where it is woven.
I had to adjust to living in a Third World country, which means that things people in the U.S. take for granted-like hot running water whenever you turn on the tap-are not always available.
In the long run, the people are our only appeal. The only ones who can free us are ourselves.
I'm crafting a vision of my life that involves creativity. And Cuban society allows me to do this. I know it's harder in the U.S. where so many people are just grateful to have a job.