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imitating-others painting imitation
One learns about painting by looking at and imitating other painters. Frank Stella
painting found
I found I have to stay painting. Alan Bean
painting materials knows
Anything is good painting material once you get to know it. David Milne
painting deals
Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great. Edward Hopper
painting photoshop
Photoshop came out of painting, and now it's going back to painting. David Hockney
painting speak
I prefer to leave the paintings to speak for themselves. Barnett Newman
painting easy difficult
For those who don't know what they are doing, painting is easy. For those who do know what they are doing, painting is difficult. Edgar Degas
painting study hell
I paint as I feel like painting; to hell with all their studies. Edouard Manet
painting god-bless bless
Happy painting and God Bless, my friend. Bob Ross
painting vans ifs
Van Gogh would’ve sold more than one painting if he’d put tigers in them. Bill Watterson
imitation repetition observation
We learn by observation, imitation and repetition. Denis Waitley
imitation equal predecessors
To equal a predecessor, one must have twice they worth. Baltasar Gracian
imitation acquire
It is by imitation, far more than by precept, that we learn everything; and what we learn thus, we acquire not only more effectually, but more pleasantly. Edmund Burke
imitation wit poorest
Borrowed wit is the poorest wit. Johann Kaspar Lavater
imitation rudeness strength weak
Rudeness is the weak man's imitation of strength Eric Hoffer
imitation absurdity copies
The only good copies are those which make us see the absurdity of bad originals. Francois de La Rochefoucauld
imitation envious
I’m the only authentic Vlad. Everyone else is merely an envious imitation. Jeaniene Frost
imitation conviction
Who has no own conviction dissipates himself in the imitation of others. Ernst Moritz Arndt
imitation raised contrast
By close inspection... you will discover the manner of handling the artifices of contrast, glazing, and other expedients, by which good colorists have raised the value of their tints, and by which nature has been so happily imitated. Joshua Reynolds