Yanni

Yanni
Yiannis Chryssomallis, known professionally as Yanni, is a Greek composer, keyboardist, pianist, and music producer who has spent his adult life in the United States...
NationalityGreek
ProfessionComposer
Date of Birth14 November 1954
CityKalamata, Greece
core fun good period sitting studio time truth
Actually, with 'Truth of Touch' I wasn't even intending on making an album. I was just having fun. I had about a six-month period of down time, and I'm not very good at sitting around. So I kind of started going into the studio and having fun with new core mendin sounds.
across certain close cultures cuts define emotions music pure rhythms
I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
age brought call classify industry music neither pop small term threw together
New Age is a very small box. It was a term that was brought in by the music industry to classify music that is neither jazz, classical, pop or rock. They didn't know what to call it or what to do with it. So they threw it all together under this one name.
believe important have-faith
Perhaps one of the most important lessons that I continue to have reinforced is to always have faith and believe in yourself. To never lose sight of who you are and to know yourself.
rehearsal dresses life-is
It’s a cliché - but true - that life is not a dress rehearsal. You get to do it once, so do it well.
dream reality years
Ever since I left Greece more than two decades ago, it has been my dream to return and perform at the Acropolis. This project took more than a year and a half to plan and accomplish, and I would like to thank my band and crew and the scores of people involved in helping my dream become a reality.
daughter love-is car
In the English language, I can love my car, or my house, or my daughter, or traveling, but in Greek and how I grew up, love is described with different words.
inspiration genius adages
That adage about genius being 5 percent inspiration and 95 perspiration - it's true.
uplifting moving mean
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
flying hitting bumps
It’s like flight, you’re flying… When you’re hitting something that’s turning you on, you get goose bumps. It’s a rush. It’s very exciting and that’s what I’m hoping to do to the audience.
hurt thinking parent
I learned from my parents to do my best to not react to negative emotions. I try to think about what has happened and find the lessons that can be learned from these difficult experiences. I try to deal with these negative emotions right away because, if they stay inside, they can hurt and do a lot of damage. I release them as soon as possible so I can be free.
people soul strange
It’s really strange, but they speak to me — the notes and the chords. So when I hear other people’s music, I can feel the composer. Whoever created that, I can see in their soul.
reflection people creative
When I create music, it is a reflection of my soul, my experiences in life and my relationships with other people and cultures. Psychology, and understanding who we are as people in this world, is present in almost every creative thought I have.
unique emotional hands
Symphonies can generate a tremendous amount of sounds, beauty, and emotion. That is part of their human feel and sweetness. Keyboards, on the other hand, give us access to millions of sounds. When I put the two together, the result is unique, and it’s not only pleasing to the ear, but produces emotional responses that neither of the two can achieve on their own.