Wim Wenders

Wim Wenders
Ernst Wilhelm "Wim" Wendersis a German filmmaker, playwright, author, photographer, and a major figure in New German Cinema. Among many honors, he has received three nominations for the Academy Award for Best Documentary Feature: for Buena Vista Social Club, about Cuban music culture, Pina, about the contemporary dance choreographer Pina Bausch, and The Salt of the Earth, about Brazilian photographer Sebastião Salgado...
NationalityGerman
ProfessionDirector
Date of Birth14 August 1945
CityDusseldorf, Germany
CountryGermany
Filmmakers and critics wrote about each other and sometimes very harshly. This no longer exists.
Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.
I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s.
In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
It's very hard to find critics or a magazine today that will publish material that is genuinely independent and written without any concern about being cut off some distributor's list or not be invited or flown into screenings.
The Yanks have colonized our subconscious.
There are a lot of things that dancers can do that actors cannot and actors can do that dancers cannot.
The Cuban people have an amazingly strong and unbroken spirit.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
For years all I seemed to be doing was lobbying politicians and others to persuade them that European culture needed movies, and that we had to protect it.
The last adventure left on this planet is creativity because we've been everywhere. There's not much left to explore. But there's a lot of exploration left in the human imagination.
In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.
Filmmakers tell actors to adjust their body language, and the famous presence of the actor is his or her body language. That is what makes them special and a movie star. An actor's capital is his body.