William T. Vollmann
William T. Vollmann
William Tanner Vollmannis an American novelist, journalist, war correspondent, short story writer, and essayist. He won the 2005 National Book Award for Fiction for the novel Europe Central. He lives in Sacramento, California, with his wife and daughter...
NationalityAmerican
ProfessionNovelist
Date of Birth28 July 1959
CountryUnited States of America
writing thinking years
I feel like I'm almost ready to write fiction about the border. But even after 10 years of writing nonfiction about it, I don't think I know quite enough to do it right.
writing thinking want
[Ernest ]Hemingway always said, "Write about what you know." I think you can do that, and if you want to write about what you don't know, you can. It just takes a lot more work.
successful fiction flaws
At least I hope - that the fiction I've written so far has flaws but has mostly been successful.
memories character borders
Whereas if I want to create a prostitute character now from memories of different prostitutes and inventing stuff, I can say, "this could happen," "this is quite plausible." But I don't feel I know enough about border life to do the latter.
mexican feelings different
We're living in what used to be Mexico, and there's this very fluid border feeling. You go a little bit south of Tijuana, for instance, into Ensenada, and it still seems kind of borderlike. And you go much farther, suddenly the prices are lower, the prostitution is different, the commerce is different, everything feels more "Mexican."
writing apology matter
If this advertisement be not sufficient, I can only protrude my wormlike tendrils of apology, craving forbearance on the grounds that a writer must write about what he knows, and since I know nothing about any subject it scarcely matters where I dabble.
real nice reading
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
lessons patterns weapons
Death is ordinary. Behold it, subtract its patterns and lessons from those of the death that weapons bring, and maybe the residue will show what violence is.
mexican mexico littles
There are parts of L.A. that feel very, very Mexican, and there are weird little enclaves of Northside in Mexico - Cancún for instance. So what is a border?
Death cannot be experienced either by the dead or the living.
fun giving
It will be fun to give some to prostitutes,
jobs book angel
I wish I could go back and rewrite my first book, You Bright and Risen Angels; I could do a better job. But in the meantime, nobody knows as much about my books as I do. Nobody has the right but me to say which words go into my books or get deleted or edited. When I'm dying, I'll smile, knowing I stood up for my books. If I die with more money, that wouldn't bring a smile to my face. Unless I got better drugs or more delicious-looking nurses.
sex character writing
You could imagine writing about a prostitute, for instance, but if you haven't spent time with prostitutes then you're going to get all these details wrong. But if you have a lot of sex with prostitutes and you're friends with prostitutes and you interview prostitutes, then maybe after many, many years you might be able to create prostitute characters.
love trying like-you
Just for the hell of it, try to love someone as unlike you as possible.