William S. Burroughs
William S. Burroughs
William Seward Burroughs IIwas an American novelist, short story writer, satirist, essayist, painter, and spoken word performer. Burroughs was a primary figure of the Beat Generation and a major postmodernist author who wrote in the paranoid fiction genre, and his influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and...
NationalityAmerican
ProfessionWriter
Date of Birth5 February 1914
CountryUnited States of America
If you wish to alter or annihilate a pyramid of numbers in a serial relation, you alter or remove the bottom number. If we wish to annihilate the junk pyramid, we must start with the bottom of the pyramid: the Addict in the Street, and stop tilting quixotically for the "higher ups" so called, all of whom are immediately replaceable. The addict in the street who must have junk to live is the one irreplaceable factor in the junk equation. When there are no more addicts to buy junk there will be no junk traffic. As long as junk need exists, someone will service it.
A paranoid is someone who has all the facts.
Modern man has lost the option of silence.
The most deadly picture is a picture of nothing at all. The colors are there, but there is no image, nothing.
Squatting on old bones and excrement and rusty iron, in a white blaze of heat, a panorama of naked idiots stretches to the horizon. Complete silence - their speech centres are destroyed - except for the crackle of sparks and the popping of singed flesh as they apply electrodes up and down the spine. White smoke of burning flesh hangs in the motionless air. A group of children have tied an idiot to a post with barbed wire and built a fire between his legs and stand watching with bestial curiosity as the flames lick his thighs. His flesh jerks in the fire with insect agony.
The hallucinogens produce visionary states, sort of, but morphine and its derivatives decrease awareness of inner processes, thoughts and feelings. They are pain killers; pure and simple. They are absolutely contraindicated for creative work, and I include in the lot alcohol, morphine, barbiturates, tranquilizers the whole spectrum of sedative drugs.
You know a real friend? Someone you know will look after your cat after you are gone.
Human, Allen, is an adjective, and its use as a noun is in itself regrettable.
You were given the power to love in order to use it, no matter what pain it may cause you.
Humility is indeed beatness, a compulsory virtue that no one exhibits unless he has to.
Kerouac opened a million coffee bars and sold a million pairs of Levis to both sexes. Woodstock rises from his pages.
And there are my cats, engaged in a ritual that goes back thousands of years, tranquilly licking themselves after the meal. Practical animals, they prefer to have others provide the food ... some of them do. There must have been a split between the cats who accepted domestication and those who did not.
Consider the impasse of a one God universe. He is all-knowing and all-powerful. He can't go anywhere since He is already everywhere. He can't do anything since the act of doing presupposes opposition. His universe is irrevocably thermodynamic having no friction by definition. So, He has to create friction: War, Fear, Sickness, Death, To keep his dying show on the road.
I feel that any form of so called psychotherapy is strongly contraindicated for addicts. The question Why did you start using narcotics in the first place? should never be asked. It is quite as irrelevant to treatment as it would be to ask a malarial patient why he went to a malarial area.