William Hazlitt

William Hazlitt
William Hazlittwas an English writer, drama and literary critic, painter, social commentator, and philosopher. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. He is also acknowledged as the finest art critic of his age. Despite his high standing among historians of literature and art, his work is currently little read and mostly out of print...
NationalityEnglish
ProfessionCritic
Date of Birth10 April 1778
people vices resources
People do not persist in their vices because they are not weary of them, but because they cannot leave them off. It is the nature of vice to leave us no resource but in itself.
art philosophy lying
He who expects from a great name in politics, in philosophy, in art, equal greatness in other things, is little versed in human nature. Our strength lies in our weakness. The learned in books are ignorant of the world. He who is ignorant of books is often well acquainted with other things; for life is of the same length in the learned and unlearned; the mind cannot be idle; if it is not taken up with one thing, it attends to another through choice or necessity; and the degree of previous capacity in one class or another is a mere lottery.
men vanity merit
The vain man makes a merit of misfortune, and triumphs in his disgrace.
air feelings understanding
A distinction has been made between acuteness and subtlety of understanding. This might be illustrated by saying that acuteness consists in taking up the points or solid atoms, subtlety in feeling the air of truth.
time independent all-things
Time,--the most independent of all things.
genius talent capacity
Talent is the capacity of doing anything that depends on application and industry and it is a voluntary power, while genius is involuntary.
writing choices style
To write a genuine familiar or truly English style is to write as anyone would speak in common conversation, who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes.
money men next
Charity, like nature, abhors a vacuum. Next to putting it in a bank, men like to squander their superfluous wealth on those to whom it is sure to be doing the least possible good.
family running blood
Features alone do not run in the blood; vices and virtues, genius and folly, are transmitted through the same sure but unseen channel.
power men tyrants
The admiration of power in others is as common to man as the love of it in himself; the one makes him a tyrant, the other a slave.
giving poetry painting
Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.
character greatness purpose
To display the greatest powers, unless they are applied to great purposes, makes nothing for the character of greatness.
greatness fame popularity
Popularity is neither fame nor greatness.
greatness men way
Greatness is great power, producing great effects. It is not enough that a man has great power in himself, he must shew it to all the world in a way that cannot be hid or gainsaid.