William Friedkin

William Friedkin
William Friedkin is an American film director, producer and screenwriter best known for directing The French Connection in 1971 and The Exorcist in 1973; for the former, he won the Academy Award for Best Director. Some of his other films include Sorcerer, Cruising, To Live and Die in L.A., Jade, Rules of Engagement, The Hunted, Bug, and Killer Joe...
NationalityAmerican
ProfessionDirector
Date of Birth29 August 1935
CityChicago, IL
CountryUnited States of America
I'm not a fan of 3D. But I am a huge fan of digital imagery. Because it allows a filmmaker much more latitude to appreciate their own visions and dreams.
I don't think sexuality defines a person. It's one small part of who you are, in my view. You are many things, and I never felt that people were defined by their sexuality solely.
God knows, as a minority, gay people have taken serious lumps for their sexual preferences. As has every minority.
The studios mostly threw away the negatives of the classic films. They had no interest in their legacy.
We all wind up the same way, no matter what our goals or ambitions are. We have nothing at all to say about how we got into this world or how are going to leave it.
All the great countries are at odds with one another over something, and yet if they don't cooperate they're going to blow up.
Star Wars is one of a handful of films that changed the zeitgeist forever.
If Star Wars had failed, you wouldn't have 90 percent of what's out there today.
Star Wars gave birth to all the computer-generated superhero films.
I believe today that there is no film and no shot in a film that is worth a squirrel getting a sprained ankle.
If you call yourself a non-believer, you're referring to disbelief in something, and you're acknowledging that there is something to believe in or not.
You are always cheating for the audience.
You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
The Blu-ray is the real cinematech of world cinema. That's how it's being preserved. All of these guys that are trying to preserve 35mm negatives? They are wasting their time. There are better ways to see and project this stuff. It's called digital.