Will Harrison

Will Harrison
successful giving paper
I just like the process of taking something written on a sheet of paper and giving it life and shape. I like the collaborative process of filmmaking, which is all simply to say that I love my work and I would continue to look for things that have the potential to be engaging and successful.
good-luck airplane talking
I have the ordinary experience of having the blender bottom come off in my room upstairs. I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences. What's important is to be able to see yourself, as having commonality with other people and not determine, because of your good luck, that everybody is less significant, less interesting, less important than you are.
basketball sports football
You have to remember that baseball really was the American pastime in the Forties, not football, basketball or any other sport.
jobs character creating
The job's always the same. It involves helping to tell the story and creating an alloy between character and story that serves the film.
understanding actors
An actor only has his own understanding and experience to work with.
character years interesting
I don't mind playing older characters. I find it interesting. There are parts I couldn't have got when I was 30 years old. So, it continues to interest me in the same way that it always did.
people groups scientist
When I met scientists, I found them to be as various as any other group of people.
independent support satisfaction
There's no independent satisfaction without the success of the film itself. The feel that you have done the best you can to support the film.
names giving focus
In relationships with a directors, I want to be able to give and take, and I can't name what it is: respect, energy, investment in the task, focus, humor, intelligence, but I always feel responsible for taking the money.
jobs character space
It doesn't matter to me whether I go back to outer space or not [while acting]. The job's the same and I don't have any sort of genre preferences. I'm looking for a good story and a good character, whether earthbound or not.
growing-up responsibility thinking
I think parenting is a huge responsibility. It was in my time when I was growing up and there still continues to be that responsibility.
thinking ideas branches
I had the idea that the film would be much better served by a Branch Rickey look-a-like than a Harrison Ford look-a-like. I didn't want the audience to go into the film thinking that they knew me from some previous experience in the movies.
jobs character eye
The capacity to create [visual] effects in the computer has made the job easier, but it has also introduced the complexity that you can with a few more keystrokes generate such a busy canvas that the eye doesn't know where to go. You lose human scale on an event and you're just wowed by the kinetics and the visualization. But, often in those cases I feel you lose touch with the human characters and what it is that they would feel and how they might feel, and that's still the most important part.
mean icons doe
An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.