Will Allison
Will Allison
Will Allison is an American novelist and editor. He is the author of the New York Times bestselling book Long Drive Homeand What You Have Left...
NationalityAmerican
ProfessionAuthor
Date of Birth22 October 1968
CountryUnited States of America
best followers librarian press tracking twitter
I started getting Twitter followers after I started doing press for 'Fargo.' One of my best friends from college is a librarian, and she started tracking after each interview how many Twitter followers I got. She and her librarian friends were like, 'We're going to make a graph.' And I was like, 'Alright, nerds.'
brothers business coen directors handle industry respect side
I really respect the Coen brothers as directors and as creative individuals and with the way that they handle the industry and the business side of things.
article ate everybody people
I read the 'Fargo' hashtag and what people tweeted at me and every article and every comment on every article. I really just ate it up. But I wasn't prepared for hearing what everybody thought of me.
hard musicals pursued
I never pursued voice hard enough. I've done musicals here and there, but I was never dedicated to really being one of these fantastic, operatic kind of singers that you have to be in some of these musicals.
chicago city great idealistic knew moved second
I moved to Chicago when I was 28, and I wasn't completely idealistic about going to Second City and making a living from comedy, but I knew it would be great for the resume.
moved serious stop
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
agreed break enjoyed liked pace work
I liked in television that you do some work, then you perform, then you stop and you have a break because they have to set up lights, and then you do some more work. I really liked the pace of it; it really agreed with me. I enjoyed it.
amazing appeal benefits control fleeting great improv liked rare sitting
I know the benefits of having a really great improv show are amazing because it was this one rare and fleeting thing that was incredible, but the risk just didn't appeal to me. I liked the control of sitting down and writing things.
amazing dream gig god guest next role shows star
I don't know what my next dream role gig is, but I have so, so many shows that I'm like, 'Oh my God, can I guest star on 'New Girl?' Like, that would be amazing!'
gravitate towards women
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
becoming came hot interviews music musical reading scenes selection
I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.
accent easier figured sound throat work
For me and accent work, I think once you've figured out where that energy is, where the sound is in your throat or your mouth, it's a whole lot easier to do.
background coming commercial dallas elevate improv instantly list shot work
Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.
comedian dial hard punching
As a comedian who's used to, like, punching the jokes, it's hard to teach yourself that that's not the strong choice in the sense that you have to really have to dial it back.