Walter Kirn
Walter Kirn
Walter Kirn is an American novelist, literary critic, and essayist. He is the author of eight books, most notably Up in the Air, which was made into a movie starring George Clooney...
NationalityAmerican
ProfessionNovelist
CountryUnited States of America
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I like to think that I could praise the good book of someone I personally dislike. I try not to comment on the person, to be insulting, but I have no trouble being insulting to the work.
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Realize that the game of life is the game of, to some extent, being taken advantage of by people who make a science of it. Whether they are in government or personal life or in business, they're everywhere.
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I had the impression from reading English literature that British women were great beauties, and I only had seen Julie Christie, and she was gorgeous and sexy. I don't know whether it was just my taste, but when I got to London, I went two years without seeing a truly attractive woman. A lot of near misses.
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Size has nothing to do with literature. All legs are long enough to touch the ground, and all books are big enough to fill their covers.
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Remember daydreams? No, of course you don't. How could you? Three new text messages have just arrived, and another three, in a moment, will go out.
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If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down.
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We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.
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The fictionally correct have all the answers, and that's what's wrong with them. They're artistic technocrats. There's no dilemma so knotty, no question so baffling, that it can't be smoothly neutralized by dialing up the right attitude adjustment. Poor old Hemingway. If only he'd known.
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I say 'here's the thing' a lot, both to alert people that I'm about to say something important and to give myself a moment to figure out what that important thing might be, because my head is so often completely empty.
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However old-fashioned and right-wing this may sound, the American genius for language lies in understatement, in saying things simply, pointedly and quickly, and in making new and clean and swift what otherwise might be ponderous, round and slow.
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Yes, in the commercial world there's room for both McDonald's and Whole Foods, but in the realm of politics, we're told, it's either Filet-o-Fish or line-caught salmon: only one can prevail - and which is up to you.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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Once you realize just the sort of glut of books that exists out there, it does become incumbent on you not to add to it unless you have a damn good reason.
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On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't possible in physical space. We can also fine-tune the complexity and depth of our interactions and relationships.