Wallace Shawn
Wallace Shawn
Wallace Michael Shawnis an American actor, voice actor, playwright, essayist and comedian. He is best known for appearing in film roles, such as Wally Shawn in the Louis Malle-directed comedy-drama My Dinner with Andre, Vizzini in The Princess Bride, Ezra in The Haunted Mansion, providing the voice of Rex in the Toy Story franchise, providing the voice of Gilbert Huph in The Incredibles, and providing the voice of Calico in Cats & Dogs: The Revenge of Kitty Galore. He also...
NationalityAmerican
ProfessionMovie Actor
Date of Birth12 November 1943
CityNew York City, NY
CountryUnited States of America
I think I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. It's not the way people talk in life at all.
I probably have a higher opinion of my writing than the average person, at least when I'm in a good mood, but I don't really think of my plays as only being relevant to a particular month or year.
I wrote my first play at the age of 10, 55 years ago, and I've always found it a fantastic relief to imagine I know what things would be like from the point of view of other individuals and to send out signals from where I actually am not. Playwrights never need to write from the place where they are.
I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
I don't have an idea for a play until after I've finished writing it. I write first, and come up with what it's about later. My technique could be compared to having a large canvas and coming in every day and putting a dot on it somewhere, and after several years - literally - I begin to say, That reminds me of an elephant, so I think I'll make it one.
Who says one instance of writing has anything in common with another instance?
For me, a play is a form of writing which isn't complete until it is interpreted by actors. But it's still a form of writing. And so most of my time is spent thinking about how to write a sentence.
You can go to a play that is enjoyable because it's funny, and then on the next night you can go to a play that's enjoyable because it's 'disturbing.'
Before I was 5, I did have a lot of time on my hands. I had no job and really no career, and I spent an awful lot of time listening to records. It was more the classical ones, really - Prokofiev, and I think there was some Mozart in there, and more impressionistic composers like Delius.
Contrary to the popular misconception, the actor is not necessarily a specialist in imitating or portraying what he knows about other people. On the contrary, the actor may simply be a person who's more willing than others to reveal some truths about himself.
I am recognized a lot for 'Clueless,' but I am recognized a great deal for 'The Princess Bride.' I don't know... maybe everybody who has seen that movie just goes out on the street.
'The Fever' is a one-person play. I decided I would perform it myself, and I decided I would not perform it in theaters, because the character in the play says certain things that I meant.