Wallace Shawn
Wallace Shawn
Wallace Michael Shawnis an American actor, voice actor, playwright, essayist and comedian. He is best known for appearing in film roles, such as Wally Shawn in the Louis Malle-directed comedy-drama My Dinner with Andre, Vizzini in The Princess Bride, Ezra in The Haunted Mansion, providing the voice of Rex in the Toy Story franchise, providing the voice of Gilbert Huph in The Incredibles, and providing the voice of Calico in Cats & Dogs: The Revenge of Kitty Galore. He also...
NationalityAmerican
ProfessionMovie Actor
Date of Birth12 November 1943
CityNew York City, NY
CountryUnited States of America
There's nothing regular about my life at all, really. I don't keep a regular schedule and every day is different. It's all rather chaotic.
If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.
When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
I was clever enough to know that John Donne was offering something that was awfully enjoyable. I just wasn't clever enough to actually enjoy it.
When I was a child, I did always feel that people were hiding things, and that they weren't expressing their true feelings. When adults are too complicated, and cover their emotions with layers of well-intentioned subterfuge, the child isn't seeing reality clearly enough and gets upset.
The life of an actor can be very enviable.
A play presents a self-enclosed little world for the audience to examine. It's an opportunity to look objectively at a group of people, to assess them, to react to them, and to measure oneself against them, to ask 'Am I like that?'
I don't see that many plays, and for me, musicals are rarely pleasing. I feel the actors are being put through a kind of nightmarish labor. They're like animals being forced to pull heavy carts of vegetables at incredible speeds.
I sincerely believe that if Bush and Cheney recognized the full humanity of other people's mothers around the world, they wouldn't commit the crimes they commit.
If my relation to each and every peasant in Cambodia is indeed exactly what the principles of morality would demand it to be, it's a miraculous coincidence, because it takes a lot of effort to behave correctly in regard to my friends, and from one end of the year to another I never give those peasants a single thought.
I don't have an idea for a play until after I've finished writing it. I write first, and come up with what it's about later. My technique could be compared to having a large canvas and coming in every day and putting a dot on it somewhere, and after several years - literally - I begin to say, That reminds me of an elephant, so I think I'll make it one.
I think the whole system of education would change if I were in charge and had the ability to make changes. I don't think I would keep Princeton exactly being Princeton.
For some reason, people find me funny. It's quite hard to define why a thought is funny. It's even harder to define why a person would be funny. It's a word that I can't define at all. But whether I know quite what it is or not, I seem to be it.