W. S. Merwin
W. S. Merwin
William Stanley Merwinis an American poet, credited with over fifty books of poetry, translation and prose. During the 1960s anti-war movement, Merwin's unique craft was thematically characterized by indirect, unpunctuated narration. In the 1980s and 1990s, Merwin's writing influence derived from his interest in Buddhist philosophy and deep ecology. Residing in Hawaii, he writes prolifically and is dedicated to the restoration of the islands' rainforests...
NationalityAmerican
ProfessionPoet
Date of Birth30 September 1927
CountryUnited States of America
There is part of a structure in which every species is related to every other species. And they're built up on species, like a pyramid. The simpler cell organisms, and then the more complicated ones, all the way up to the mammals and birds and so forth. We call it 'developing upward'... The whole thing depends on every part of it. And we're taking out the stones from the pyramid.
So this is what I am Pondering his eyes that could not Conceive that I was a creature to run from I who have always believed too much in words
We are the echo of the future.
Every year without knowing it I have passed the day When the last fires will wave to me
You grieve Not that heaven does not exist but That it exists without us
The global warming is going on. These are not single cases. These are all part of a general way we've been looking at the world. As long as we look at the world that way it's going to go on. Because the idea that the important thing is for some people get rich while the rest of the people work for them is very deeply dug in.
It's an attitude of superiority. We are superior to the rest of life. The Book of Genesis says: 'Increase and multiply and have dominion over the birds of the air and the animals and so forth.' You run it; it's yours; do what you like with it. I don't know how old that text is, but it represents an attitude that probably really got going with the beginning of agriculture. Before that, the hunter-gatherers were gentler people than the agriculture.
Laughter was the shape the darkness took around the first appearance of the light.
There are poets who believe that you shouldn't engage at all in any cause. And there's something to be said for that. Because you don't want to - I think most political poetry is very bad. And it's very bad because you know too much to start with. You have a sense that you're right, and you're trying to tell other people what's right. And I think that's always kind of fundamentalism, and I don't like it.
I have been younger in October than in all the months of spring.
Utterance" Sitting over words Very late I have heard a kind of whispered sighing Not far Like a night wind in pines or like the sea in the dark The echo of everything that has ever Been spoken Still spinning its one syllable Between the earth and silence
Any work of art makes one very simple demand on anyone who genuinely wants to get in touch with it. And that is to stop. You've got to stop what you're doing, what you're thinking, and what you're expecting and just be there for the poem for however long it takes.
What I really believe is the only hopeful relation between our life and the whole of life is one of reverence and respect and of feeling at one with it. The other attitude which is the one our society is based on is devastating and it is killing the earth and it is killing us too.
This is what I have heard at last the wind in December lashing the old trees with rain unseen rain racing along the tiles under the moon wind rising and falling wind with many clouds trees in the night wind.