Vladimir Nabokov
Vladimir Nabokov
Vladimir Vladimirovich Nabokov, also known by the pen name Vladimir Sirin; 22 April 1899c – 2 July 1977) was a Russian-American novelist. His first nine novels were in Russian, and he achieved international prominence after he began writing English prose...
NationalityAmerican
ProfessionNovelist
Date of Birth23 April 1899
CitySaint Petersburg, Russia
CountryUnited States of America
creation discern fragrant future kindly lies literary mirrors objects ordinary portray posterity reflected tenderness
Here lies the sense of literary creation: to portray ordinary objects as they will be reflected in kindly mirrors of future times. . . . To find in objects around us the fragrant tenderness that only posterity will discern . . .
die men therefore
Other men die; but I Am not another; therefore I'll not die
explorer feeling form known panic pit romantic sensation separation soil splendor stomach treading
Treading the soil of the moon, palpitating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from terra - these form the most romantic sensation an explorer has ever known
broken dull man poor second
Poor Knight! he really had two periods, the first - a dull man writing broken English, the second - a broken man writing dull English.
aesthetic affords art call connected exists fiction insofar shall states work
For me, a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.
death great greater life
Life is a great sunrise. I do not see why death should not be an even greater one.
thinking facts my-favorite
I think my favorite fact about myself is that I have never been dismayed by a critic's bilge or bile, and have never once in my life asked or thanked a reviewer for a review.
book hopeful doe
When I receive a new novel from a hopeful publisher - "hoping that I like the book as much as he does" - I check first of all how much dialog there is, and if it looks too abundant or too sustained, I shut the book with a bang.
powerful historical-novels fiction
There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.
inspiration writing waiting
After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me.
writing order three
I do not begin my novel at the beginning, I do not reach chapter three before I reach chapter four, I do not go dutifully from one page to the next, in consecutive order; no, I pick out a bit here and a bit there, till I have filled all the gaps on paper. This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times.
eggs bird nests
At a very early stage of the novel's development I get this urge to collect bits of straw and fluff, and to eat pebbles. Nobody will ever discover how clearly a bird visualizes, or if it visualizes at all, the future nest and the eggs in it.
character slave
My characters are galley slaves.
sick people ignorant
Freudism and all it has tainted with its grotesque implications and methods, appear to me to be one of the vilest deceits practiced by people on themselves and on others. I reject it utterly, along with a few other medieval items still adored by the ignorant, the conventional, or the very sick.