Vladimir Nabokov
Vladimir Nabokov
Vladimir Vladimirovich Nabokov, also known by the pen name Vladimir Sirin; 22 April 1899c – 2 July 1977) was a Russian-American novelist. His first nine novels were in Russian, and he achieved international prominence after he began writing English prose...
NationalityAmerican
ProfessionNovelist
Date of Birth23 April 1899
CitySaint Petersburg, Russia
CountryUnited States of America
eye men hair
I sometimes used to ask myself, what on earth did I love her for? Maybe fore the warm hazel iris of her fluffy eyes, or for the natural side-wave of her brown hair, done anyhow, or again for that movement of her plump shoulders. But, probably the truth was that I loved her because she loved me. To her I was the ideal man: brains, pluck. And there was none dressed better. I remember once, when I first put on that new dinner jacket, with the vast trousers, she clapsed her hands, sank down on a chair and murmured: 'Oh, Hermann...." It was ravishment bordering upon something like heavenly woe.
memories eye dark
There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: "honey-colored skin," "thin arms," "brown bobbed hair," "long lashes," "big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita).
truth children eye
Alas! In vain historians pry and probe: The same wind blows, and in the same live robe Truth bends her head to fingers curved cupwise; And with a woman's smile and a child's care Examines something she is holding there Concealed by her own shoulder from our eyes.
eye color photograph
All colors made me happy: even gray. My eyes were such that literally they Took photographs.
die men therefore
Other men die; but I Am not another; therefore I'll not die
creation discern fragrant future kindly lies literary mirrors objects ordinary portray posterity reflected tenderness
Here lies the sense of literary creation: to portray ordinary objects as they will be reflected in kindly mirrors of future times. . . . To find in objects around us the fragrant tenderness that only posterity will discern . . .
explorer feeling form known panic pit romantic sensation separation soil splendor stomach treading
Treading the soil of the moon, palpitating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from terra - these form the most romantic sensation an explorer has ever known
broken dull man poor second
Poor Knight! he really had two periods, the first - a dull man writing broken English, the second - a broken man writing dull English.
aesthetic affords art call connected exists fiction insofar shall states work
For me, a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.
death great greater life
Life is a great sunrise. I do not see why death should not be an even greater one.
thinking facts my-favorite
I think my favorite fact about myself is that I have never been dismayed by a critic's bilge or bile, and have never once in my life asked or thanked a reviewer for a review.
book hopeful doe
When I receive a new novel from a hopeful publisher - "hoping that I like the book as much as he does" - I check first of all how much dialog there is, and if it looks too abundant or too sustained, I shut the book with a bang.
powerful historical-novels fiction
There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.
inspiration writing waiting
After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me.