Vladimir Nabokov

Vladimir Nabokov
Vladimir Vladimirovich Nabokov, also known by the pen name Vladimir Sirin; 22 April 1899c – 2 July 1977) was a Russian-American novelist. His first nine novels were in Russian, and he achieved international prominence after he began writing English prose...
NationalityAmerican
ProfessionNovelist
Date of Birth23 April 1899
CitySaint Petersburg, Russia
CountryUnited States of America
stars children believe
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
children artist flames
You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs―the slightly feline outline of a cheekbone, the slenderness of a downy limbs, and other indices which despair and shame and tears of tenderness forbid me to tabulate―the little deadly demon among the wholesome children; she stands unrecognized by them and unconscious herself of her fantastic power.
dog children book
I grew, a happy, healthy child in a bright world of illustrated books, clean sand, orange trees, friendly dogs, sea vistas and smiling faces.
children
There is nothing more atrociously cruel than an adored child.
children opportunity soul
All at once we were madly, clumsily, shamelessly, agonizingly in love with each other; hopelessly, I should add, because that frenzy of mutual possession might have been assuaged only by our actually imbibing and assimilating every particle of each other's soul and flesh; but there we were, unable even to mate as slum children would have so easily found an opportunity to do so.
children men sight
I looked and looked at her, and I knew, as clearly as I know that I will die, that I loved her more than anything I had ever seen or imagined on earth. She was only the dead-leaf echo of the nymphet from long ago - but I loved her, this Lolita, pale and polluted and big with another man's child. She could fade and wither - I didn't care. I would still go mad with tenderness at the mere sight of her face.
art children simple
Imagination without knowledge leads no farther than the back yard of primitive art, the child's scrawl on the fence, and the crank's message in the market place. Art is never simple.
children writing thinking
I think like a genius, I write like a distinguished author, and I speak like a child.
truth children eye
Alas! In vain historians pry and probe: The same wind blows, and in the same live robe Truth bends her head to fingers curved cupwise; And with a woman's smile and a child's care Examines something she is holding there Concealed by her own shoulder from our eyes.
die men therefore
Other men die; but I Am not another; therefore I'll not die
creation discern fragrant future kindly lies literary mirrors objects ordinary portray posterity reflected tenderness
Here lies the sense of literary creation: to portray ordinary objects as they will be reflected in kindly mirrors of future times. . . . To find in objects around us the fragrant tenderness that only posterity will discern . . .
explorer feeling form known panic pit romantic sensation separation soil splendor stomach treading
Treading the soil of the moon, palpitating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from terra - these form the most romantic sensation an explorer has ever known
broken dull man poor second
Poor Knight! he really had two periods, the first - a dull man writing broken English, the second - a broken man writing dull English.
aesthetic affords art call connected exists fiction insofar shall states work
For me, a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.