Virginia Woolf
Virginia Woolf
Adeline Virginia Woolf, known professionally as Virginia Woolf, was an English writer and one of the foremost modernists of the twentieth century...
NationalityBritish
ProfessionNovelist
Date of Birth25 January 1882
CityLondon, England
writing thinking names
I must try to set aside half an hour in some part of my day, and consecrate it to diary writing. Give it a name and a place, and then perhaps, such is the human mind, I shall come to think it a duty, and disregard other duties for it.
jobs clever men
I like the copious, shapeless, warm, not so very clever, but extremely easy and rather coarse aspect of things; the talk of men in clubs and public-houses; of miners half naked in drawers the forthright, perfectly unassuming, and without end in view except dinner, love, money and getting along tolerably; that which is without great hopes, ideals, or anything of that kind; what is unassuming except to make a tolerably, good job of it. I like all that.
thinking design half
Lines slip easily down the accustomed grooves. The old designs are copied so glibly that we are half inclined to think them original, save for that very glibness.
sex character rights
But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence of someone resenting the treatment of her sex and pleading for its rights.
six feels stills
Happily, at forty-six I still feel as experimental and on the verge of getting at the truth as ever.
space mind spread
I like to have space to spread my mind out in.
teacher artist people
There are no teachers, saints, prophets, good people, but the artists.
artist solitary
The artist after all is a solitary being.
lying eye differences
Though we see the same world, we see it through different eyes. Any help we can give you must be different from that you can give yourselves, and perhaps the value of that help may lie in the fact of that difference.
life beats
Like a ghostly roll of drums remorselessly beat the measure of life.
love men people
What could be more serious than the love of man for woman, what more commanding, more impressive, bearing in its bosom the seeds of death; at the same time these lovers, these people entering into illusion glittering eyed, must be danced round with mockery, decorated with garlands.
eye ideas wrinkles
One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?
marriage memories writing
Words, English words, are full of echoes, of memories, of associations. They have been out and about, on people's lips, in their houses, in the streets, in the fields, for so many centuries. And that is one of the chief difficulties in writing them today -- that they are stored with other meanings, with other memories, and they have contracted so many famous marriages in the past.
writing attachment play
Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.