Tom Waits
Tom Waits
Thomas Alan Waitsis an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding like "it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona...
NationalityAmerican
ProfessionPop Singer
Date of Birth7 December 1949
CityPomona, CA
CountryUnited States of America
Popular music is like a big party, and it’s a thrill sneaking in rather than being invited. Every once in a while, a guy with his shirt on inside out, wearing lipstick and a pillbox hat gets a chance to speak.
You know when you throw a party, you think people will show up and no one will like each other. It's like that with music - parts of your musical psyche have never met other parts. You wonder if you should get them together.
Any image I have, it's just what I do, but it comes off as being very pretentious. When you're a bit in the public astigmatism, anything you do seems like you did it so somebody would see you do it, like showing up at the right parties.
You can learn a lot about a woman by getting smashed with her.
The large print giveth, but the small print taketh away.
Commercials are an unnatural use of my work, ... It's like having a cow's udder sewn to the side of my face. Painful and humiliating.
I used to think that all great recordings happened at about 3 A.M.
and I have lawyers over there investigating my options.
George Bush is a fan of mine -- he came to see me in the Seventies. His coke dealer brought him.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I'm one of those guys that is still a bit afraid of the telephone, its implications for conversation. I still wonder if the jukebox might be the death of live music.
I have a Chamberlain I bought from some surfers in Westwood many years ago. It's an early analog synthesizer; it operates on tape loops. It has 60 voices - everything from galloping horses to owls to rain to every instrument in the orchestra.
Some day I'm gonna be gone and people will be listening to my songs and conjuring me up. In order for that to happen, you gotta put something of yourself in it.
If you are making a record, you are the one saying 'action', and you are the one saying 'cut,' and you have to be sure that the most interesting thing is not going on outside the frame.