Tom Waits

Tom Waits
Thomas Alan Waitsis an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding like "it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona...
NationalityAmerican
ProfessionPop Singer
Date of Birth7 December 1949
CityPomona, CA
CountryUnited States of America
I didn't really identify with the music of my own generation, but I was very curious about the music of others.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I'm one of those guys that is still a bit afraid of the telephone, its implications for conversation. I still wonder if the jukebox might be the death of live music.
Sometimes words are just music themselves. Like 'Chicago' is a very musical sounding name.
The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.
The piano has been drinking, not me.
The blues is like a planet. It's an enormous topic. You can't ignore the impact that it has had and continues to have on the whole musical culture. It's a tree that everyone is swinging from. Without it, I don't know where I would be. It's indelible and indispensable.
I like beautiful melodies telling me terrible things.
A gentleman is someone who can play the accordion, but doesn't.
I used to think that all great recordings happened at about 3 A.M.
Commercials are an unnatural use of my work, ... It's like having a cow's udder sewn to the side of my face. Painful and humiliating.
I have a Chamberlain I bought from some surfers in Westwood many years ago. It's an early analog synthesizer; it operates on tape loops. It has 60 voices - everything from galloping horses to owls to rain to every instrument in the orchestra.
Some day I'm gonna be gone and people will be listening to my songs and conjuring me up. In order for that to happen, you gotta put something of yourself in it.
If you are making a record, you are the one saying 'action', and you are the one saying 'cut,' and you have to be sure that the most interesting thing is not going on outside the frame.