Tom Waits
Tom Waits
Thomas Alan Waitsis an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding like "it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona...
NationalityAmerican
ProfessionPop Singer
Date of Birth7 December 1949
CityPomona, CA
CountryUnited States of America
I think some bands thrive on the idea of changing instruments. When they're off their real instrument, the ability to go very far from the original idea is reduced.
They called it the Terminal Bar but they had no idea that like twenty years later the place'd be filling up with terminal cases.
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
I like turning on two radios at once. I like hearing things wrong… I get a lot of ideas by mishearing things.
I always liked the idea that America is a big facade. We are all insects crawling across on the shiny hood of a Cadillac. We're all looking at the wrapping. But we won't tear the wrapping to see what lies beneath.
I'm trying to get music ideas that come and keep them alive. It's like carrying water in your hands. I want to keep it all, and sometimes by the time you get to the studio you have nothing.
The large print giveth, but the small print taketh away.
Commercials are an unnatural use of my work, ... It's like having a cow's udder sewn to the side of my face. Painful and humiliating.
I used to think that all great recordings happened at about 3 A.M.
and I have lawyers over there investigating my options.
George Bush is a fan of mine -- he came to see me in the Seventies. His coke dealer brought him.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I'm one of those guys that is still a bit afraid of the telephone, its implications for conversation. I still wonder if the jukebox might be the death of live music.
I have a Chamberlain I bought from some surfers in Westwood many years ago. It's an early analog synthesizer; it operates on tape loops. It has 60 voices - everything from galloping horses to owls to rain to every instrument in the orchestra.