Tom Stoppard
Tom Stoppard
Sir Tom Stoppard OM CBE FRSLis a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and...
NationalityEnglish
ProfessionPlaywright
Date of Birth3 July 1937
CityZlin, Czech Republic
When I was in my teens, I was very, very keen on being the author of a book. What the book was was secondary. I wanted it to be in hardback. I didn't care how thick or thin it was, and I didn't actually care what it was about.
He's someone who flies around from hotel to hotel and thinks the most interesting thing about any story is the fact that he has arrived to cover it
It is better of course to know useless things than to know nothing.
I can put two and two together, you know. Do not think you are dealing with a man who has lost his grapes.
Rosencrantz: We might as well be dead. Do you think death could possibly be a boat? Guildenstern: No, no, no... Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat. Rosencrantz: I've frequently not been on boats. Guildenstern: No, no, no--what you've been is not on boats.
When you stir your rice pudding, Septimus, the spoonful of jam spreads itself round making red trails like the picture of a meteor in my astronomical atlas. But if you stir backwards, the jam will not come together again. Indeed, the pudding does not notice and continues to turn pink just as before. Do you think this is odd?
It's silly to be depressed by it. I mean one thinks of it like being alive in a box, one keeps forgetting to take into account the fact that one is dead, which should make all the difference, shouldn't it? I mean, you'd never know you were in a box would you?... Even taking into account the fact that you're dead, it isn't a pleasant thought. Especially if you're dead, really. Ask yourself, if I asked you straight off-- I'm going to stuff you in this box now would you rather be alive or dead? Naturally you'd prefer to be alive. Life in a box is better than no life at all.
Seduced her? Every time I turned round she was up a library ladder. In the end I gave in. That reminds me—I spotted something between her legs that made me think of you.
You think human nature is a beast, that it must be put in a cage. But it's the cage that makes the animal bad.
Every age thinks it's the modern age, but this one really is. Electricity is going to change everything. Everything!
I don't think Stoppardian has a precise definition.
I know the British press is very attached to the lobby system. It lets the journalists and the politicians feel proud of their traditional freedoms while giving the reader as much of the truth as they think is good for him.
No matter how imperfect things are, if you've got a free press everything is correctable, and without it everything is concealable.
Good things, when short, are twice as good.