Tom Stoppard

Tom Stoppard
Sir Tom Stoppard OM CBE FRSLis a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and...
NationalityEnglish
ProfessionPlaywright
Date of Birth3 July 1937
CityZlin, Czech Republic
You can persuade a man to believe almost anything provided he is clever enough, but it is much more difficult to persuade someone less clever.
The results of the divorce between truth and human beings can be most graphically observed in politics.
The names for things don't come first. Words stagger after, hopelessly trying to become the sensation.
Of all forms of fiction, autobiography is the most gratuitous.
Fifty-five crystal spheres geared to God's crankshaft is my idea of a satisfying universe. I can't think of anything more trivial than quarks, quasars, big bangs and black holes.
Childhood is Last Chance Gulch for happiness. After that, you know too much.
Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
If you took away everything in the world that had to be invented, there'd be nothing left except a lot of people getting rained on.
If rationality were the criterion for things being allowed to exist, the world would be one gigantic field of soya beans!
You're familiar with the tragedies of antiquity, are you? The great homicidal classics?
There is presumably a calendar date a moment when the onus of proof passed from the atheist to the believer, when, quite suddenly, secretly, the noes had it.
It seems pointless to be quoted if one isn't going to be quotable ... it's better to be quotable than honest.
If you were handed power on a plate you'd be left fighting over a plate.
Art cannot be subordinate to its subject, otherwise it is not art but biography.