Tom Robbins
Tom Robbins
Thomas Eugene "Tom" Robbins is an American novelist. His best-selling novels are "seriocomedies", often wildly poetic stories with a strong social and philosophical undercurrent, an irreverent bent, and scenes extrapolated from carefully researched bizarre facts. His novel Even Cowgirls Get the Blues was made into a movie in 1993 by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves...
NationalityAmerican
ProfessionNovelist
Date of Birth22 July 1932
CityBlowing Rock, NC
CountryUnited States of America
Admittedly, having a bit of disposable cash in the bank can give you a sense of Buddhistic calm, and despite the fallacy involved, that's probably preferable to the bonafide adventure of robbing a bank. A better alternative, however, is to learn to be at peace even when common sense (a highly overrated virtue) would lead you to believe that someone in your situation ought to feel threatened and insecure.
To live fully, one must be free, but to be free one must give up security. Therefore, to live one must be ready to die. How's that for a paradox?
The brown paper bag is the only thing civilized man has produced that does not seem out of place in nature.
The only bubble in the flat champagne of February is Valentine’s Day. It was no accident that our ancestors pinned Valentine’s Day on February’s shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed.
What are the odds that two separate writers, strangers, a thousand miles apart, would each invent fictions in which guys take girls to an esoteric frog lecture on their first date? If that isn't synchronicity, it's something equally as weird.
Philosophers have argued for centuries about how many angels can dance on the head of a pin, but materialists have known all along that it depends on whether they are jitterbugging or dancing cheek to cheek.
To the extent that this world surrenders its richness and diversity, it surrenders its poetry; to the extent that it relinquishes its capacity to surprise, it relinquishes its music; to the extent that it loses its ability to tolerate ridiculous and even dangerous exceptions, it loses its grace.
You knows dat in New Orleans is not morning 'til dee sun come up.
Those who shun the whimsy of things will experience rigor mortis before death.
The trick is this: keep your eye on the ball. Even when you can't see the ball.
Minds were made for blowing.
As a child, I was an imaginary playmate.
Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes.
Cultural institutions by and large share one primary objective: herd control. Even when ostensibly benign, their propensity for manipulation, compartmentalization, standardization and suppression of potentially disruptive behavior or ideas, has served to freeze the evolution of consciousness practically in its tracks.