Tobias Wolff

Tobias Wolff
Tobias Jonathan Ansell Wolffis an American short story writer, memoirist, and novelist. He is known for his memoirs, particularly This Boy's Lifeand In Pharaoh's Army. He has written two novels, including The Barracks Thief, which won the PEN/Faulkner Award for Fiction, and an array of short stories. Wolff received a National Medal of Arts from President Barack Obama in September 2015...
NationalityAmerican
ProfessionNovelist
Date of Birth19 June 1945
CityBirmingham, AL
CountryUnited States of America
Anybody can be very destructive in that position without at all meaning to be, and I know that I have been inadvertently destructive in the past for certain people on certain occasions.
Work for most people is really very social, and the actual thinking is often done in community.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
Perhaps that is why the novel flourished in England. You had these communities that would stay put and people would see one another all the time and cause one another to change and have the opportunity to observe the changes over time.
You have to be kind of clued into them, they are a world of their own, and most people find them disappointing because the best short stories are not constructed like novels.
I was giving up--being realistic, as people liked to say, meaning the same thing. Being realistic made me feel bitter.
What writers do is they tell their own story constantly through other people's stories. They imagine other people, and those other people are carrying the burden of their struggles, their questions about themselves.
Because I don't have to be careful of people's feelings when I teach literature, and I do when I'm teaching writing.
I try to help people become the best possible editors of their own work, to help them become conscious of the things they do well, of the things they need to look at again, of the wells of material they have not even begun to dip their buckets into.
Our memories tell us who we are and they cannot be achieved through committee work, by consulting other people about what happened. That doesn't mean that at all times memories are telling us the absolute truth, but that the main source of who we are is that memory, flawed or not.
There are very few professions in which people just sit down and think hard for five or six hours a day all by themselves. Of course it's why you want to become a writer — because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
That, for me, is a very important test of a young writer's commitment because most of them are going to have to continue doing that when they've finished the program.
Of course it's why you want to become a writer - because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
Because the more you write the more you're aware of the weight of your tradition and the difficulties of the form and the more you have already done that you do not want to do again.