Tilda Swinton
Tilda Swinton
Katherine Matilda "Tilda" Swinton of Kimmerghameis a British actress, performance artist, model, and fashion muse, known for both arthouse, independent and mainstream films. She began her career in films directed by Derek Jarman, starting with Caravaggio in 1985. In 1991, Swinton won the Volpi Cup for Best Actress at the Venice Film Festival for her performance as Isabella of France in Edward II. She next starred in Sally Potter's Orlando in 1992 and was nominated for the European Film Award...
NationalityEnglish
ProfessionMovie Actress
Date of Birth5 November 1960
CityLondon, England
character thinking abandonment
I always think of the word 'abandonment' when I think of the character.
thinking love-is needs
I would say that I think the film [I am love] is absolutely about nature, it recommends human nature. You don't need to recommend change, that's inevitable, it's the only reliable thing we have.
encouragement believe thinking
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
thinking people example
I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
thinking ideas people
I think that both Luca [ Guadagnino]and I have a kind of resistance to the idea of a film holding a moral message because that would exclude so many people from feeling that it was their film and it's important for a piece of work to feel owned by every member of the audience.
thinking strange possibility
I'm very much drawn to these stories. This is a huge, great story [in Doctor Strange] about the possibility of living beyond everything, living beyond mortality, living beyond all the immortal confines, living beyond the planet as we know it. It's mind-blowingly no limits, and I think this is going to be something else.
religious philosophy thinking
I've been really happy to be in that conversation with Scott [Derrickson] for a few months now. We started chewing this cud a while ago. He is, as you probably know, an extremely erudite thinker in terms of religious philosophy and just thinking about a modern take on something really, really ancient, about how to imagine living beyond any physical bounds, which we're on the verge of now.
art eye thinking
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
strong thinking liberty
I'm a huge Marvel fan and the fact that they take the liberties that they do in filmmaking I think, if anything, that it dignifies the comics and it says, "Yeah. This is a strong enough, robust enough source. We can bend it, it's elastic. It's bouncy."
real thinking fans
I think that a real film fan experience is about a kind of omnivorous experience.
festival funny gone
Don't you think... the festival has, I don't know, gone a little funny this year?
age growing knowing parents radical trying
There's something radical about a coming-of-age story that's about everyone trying to come of age at the same time, ... It's not so much about growing up as growing on. There's something compassionate about parents not knowing what they're doing.
gracefully questions steers
This film is all about questions and gracefully not about answers. This film steers away from that.
clear fact hard people playing plot time tiny wrap
This film is about the fact that it's important for people, particularly families, to communicate with each other. But we're playing people who find it hard to communicate. You can't wrap the plot up into a tiny little sentence. So it was clear to me it was going to take some time to get the film made.