Tilda Swinton
Tilda Swinton
Katherine Matilda "Tilda" Swinton of Kimmerghameis a British actress, performance artist, model, and fashion muse, known for both arthouse, independent and mainstream films. She began her career in films directed by Derek Jarman, starting with Caravaggio in 1985. In 1991, Swinton won the Volpi Cup for Best Actress at the Venice Film Festival for her performance as Isabella of France in Edward II. She next starred in Sally Potter's Orlando in 1992 and was nominated for the European Film Award...
NationalityEnglish
ProfessionMovie Actress
Date of Birth5 November 1960
CityLondon, England
I'm just really old [in Doctor Strange]. Just really, really old. There is I suppose a sort of theme tune which I'm really interested in.
I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
To be honest the work that a producer does is work that I've done for most of my working life. It's work that I started to do, for example, when I worked with Sally Potter on Orlando. We developed it together over five years.
I think that both Luca [ Guadagnino]and I have a kind of resistance to the idea of a film holding a moral message because that would exclude so many people from feeling that it was their film and it's important for a piece of work to feel owned by every member of the audience.
I'm very much drawn to these stories. This is a huge, great story [in Doctor Strange] about the possibility of living beyond everything, living beyond mortality, living beyond all the immortal confines, living beyond the planet as we know it. It's mind-blowingly no limits, and I think this is going to be something else.
The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it.
I've only ever gone into studio films with people I really like.
I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
I mean, even in terms of the Marvel universe, this [Ancient One character] is going on a side street into a major piazza that Marvel hasn't even been to before, because it's all about creation and not so much about destruction and forestalling destruction, it's about your mind.
Years ago, when James Bulger was murdered, every newspaper front page was talking about evil. At that point, having suppressed it for years, I remembered when I was four or five, I tried to kill my own brother.
Faith is in the eye of the beholder.
There's no need there to sit with the filmmaker for 11 years to develop the script, or go round the world raising money.
What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact.
I think there's a dishonorable tradition in Hollywood to give the idea, particularly to children, that evil characters are dark.