Thomas Pynchon

Thomas Pynchon
Thomas Ruggles Pynchon, Jr.is an American novelist. A MacArthur Fellow, he is noted for his dense and complex novels. His fiction and nonfiction writings encompass a vast array of subject matter, genres and themes, including history, music, science, and mathematics. For Gravity's Rainbow Pynchon won the 1974 U.S. National Book Award for Fiction...
NationalityAmerican
ProfessionNovelist
Date of Birth8 March 1937
CityGlen Cove, NY
CountryUnited States of America
Right and left; the hothouse and the street. The Right can only live and work hermetically, in the hothouse of the past, while outside the Left prosecute their affairs in the streets manipulated by mob violence. And cannot live but in the dreamscape of the future.
A number of frail girls... prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in this tapestry, and the tapestry was the world.
The reality is in this head. Mine. I'm the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, and sometimes other orifices also.
I was dreaming ... about my grandfather. A very old man, at least as old as I am now, 91. I thought, when I was a boy, that he had been 91 all his life. Now I feel as if I have been 91 all my life.
If America was a person, and it sat down, Lancaster town would be plunged into a Darkness unbreathable.
If the world offered nothing, nowhere to support or make bearable whatever her private grief was, then it is that world, and not she, that is at fault.
A woman is only half of something there are usually two sides to.
Information. What's wrong with dope and women? Is it any wonder the world's gone insane, with information come to be the only real medium of exchange?
the one Word that rips apart the day...
Can't say it often enough—change your hair, change your life.
It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home -- only the millions of last moments . . . nothing more. Our history is an aggregate of last moments.
There is nothing so loathsome as a sentimental surrealist.
Get too conceptual, too cute and remote, and your characters die on the page.
For every kind of vampire, there is a kind of cross