Terry Pratchett

Terry Pratchett
Sir Terence David John "Terry" Pratchett, OBEwas an English author of fantasy novels, especially comical works. He is best known for his Discworld series of 41 novels. Pratchett's first novel, The Carpet People, was published in 1971; after the first Discworld novel, The Colour of Magic, was published in 1983, he wrote two books a year on average. His 2011 Discworld novel Snuff was at the time of its release the third-fastest-selling hardback adult-readership novel since records began in the...
NationalityEnglish
ProfessionNovelist
Date of Birth28 April 1948
CityBeaconsfield, England
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.
Once you have your character sitting right there in your head, all you really need to do is wind them up, put them down, and simply write down what they do, say, or think.
The author can always delve into his own personality and find aspects of himself with which he can dress his characters.
The characters are the plot. What they do and say and the things that happen to them are, in a sense, what the plot is. You can't take character and plot apart from each other, really.
For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.
In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this - death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper.
Plot exposition that can be gently wound out by the authorial voice and internal monologue of a character in the length of a page has to be delivered in a matter of seconds on the stage.
Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control.
Elves are wonderful. They provoke wonder.Elves are marvellous. They cause marvels.Elves are fantastic. They create fantasies.Elves are glamorous. They project glamour.Elves are enchanting. They weave enchantment.Elves are terrific. They beget terror.The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.No one ever said elves are nice.Elves are bad.
There's a door.Where does it go?It stays where it is, I think.
I would like a question answered today," said Tiffany. "Provided it's not the one about how you get baby hedgehogs," said the man. "No, "said Tiffany patiently. "It's about zoology." "Zoology eh? That's a big word, isn't it." "No, actually it isn't," said Tiffany. "Patronizing is a big word. Zoology is really quite short.
The Quantum Weather Butterfly ( Papilio Tempestae ) is an undistinguished yellow color, its outstanding feature is its ability to create weather. This presumably began as a survival trait, since even an extremely hungry bird would find itself inconvenienced by a nasty localized tornado ( usually about 6 inches across ). From there it possibly became a secondary sexual characteristic, like the plumage of birds. Look at *me*, the male says, flapping his wings lazily in the canopy of the rain forest. I may be an undistinguished yellow color but in a fortnight's time, a thousand miles away, Freak Gales Cause Road Chaos. This is the butterfly of the storm
Now the melting pot was full of lumps again.