Terry Pratchett

Terry Pratchett
Sir Terence David John "Terry" Pratchett, OBEwas an English author of fantasy novels, especially comical works. He is best known for his Discworld series of 41 novels. Pratchett's first novel, The Carpet People, was published in 1971; after the first Discworld novel, The Colour of Magic, was published in 1983, he wrote two books a year on average. His 2011 Discworld novel Snuff was at the time of its release the third-fastest-selling hardback adult-readership novel since records began in the...
NationalityEnglish
ProfessionNovelist
Date of Birth28 April 1948
CityBeaconsfield, England
There was always someone ready to cut the heir with a knife
It doesn't matter if dragons are flying overhead or whatever - a lot of Victoriana is still cut in the frame of fantasy.
Fantasy doesn't have to be fantastic. American writers in particular find this much harder to grasp. You need to have your feet on the ground as much as your head in the clouds. The cute dragon that sits on your shoulder also craps all down your back, but this makes it more interesting because it gives it an added dimension.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
Verence would rather cut his own leg off than put a witch in prison, since it'd save trouble in the long run and probably be less painful.
Jesus won't cut you off before you're through With him you won't never get a crossed line, And when your bill comes it'll all be properly itemised He's the telephone repairman on the switchboard of my life. The phone line to the saviour's always free of interference He's in at any hour, day or night And when you call J-E-S-U-S you always call toll-free He's the telephone repairman on the switchboard of my life.
And then you bit onto them, and learned once again that Cut-me-own-Throat Dibbler could find a use for bits of an animal that the animal didn't know it had got. Dibbler had worked out that with enough fried onions and mustard people would eat anything.
History isn't like that. History unravels gently, like an old sweater. It has been patched and darned many times, reknitted to suit different people, shoved in a box under the sink of censorship to be cut up for the dusters of propaganda, yet it always - eventually - manages to spring back into its old familar shape. History has a habit of changing the people who think they are changing it. History always has a few tricks up its frayed sleeve. It's been around a long time.
The brain works fast when it thinks it’s about to be cut in half.
The universe danced towards life. Life was a remarkably common commodity. Anything sufficiently complicated seemed to get cut in for some, in the same way that anything massive enough got a generous helping of gravity. The universe had a definite tendency towards awareness. This suggested a certain subtle cruelty woven into the very fabric of space-time.
Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people.
Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control.
Elves are wonderful. They provoke wonder.Elves are marvellous. They cause marvels.Elves are fantastic. They create fantasies.Elves are glamorous. They project glamour.Elves are enchanting. They weave enchantment.Elves are terrific. They beget terror.The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.No one ever said elves are nice.Elves are bad.
There's a door.Where does it go?It stays where it is, I think.