Terry Brooks
Terry Brooks
Terence Dean "Terry" Brooksis an American writer of fantasy fiction. He writes mainly epic fantasy, and has also written two movie novelizations. He has written 23 New York Times bestsellers during his writing career, and has over 21 million copies of his books in print. He is one of the biggest-selling living fantasy writers...
NationalityAmerican
ProfessionNovelist
Date of Birth8 January 1944
CitySterling, IL
CountryUnited States of America
If you do not love what you do, if you are not appropriately grateful for the chance to create something magical each time you sit down at the computer or with a pencil and paper in hand, somewhere along the way your writing will betray you.
Fiction writers are strange beasts. They are, like all writers, observers first and foremost. Everything that happens to and around them is potential material for a story, and they look at it that way.
There is much to admire in Peter Brett's writing, and his concept is brilliant. There's action and suspense all the way.
Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.
The Golden Compass is one of the best fantasy / adventure stories that I have read. This is a book no one should miss.
I haven't made up my mind about doing anymore Landover books.
Lester del Rey told me repeatedly that the first and most important part of writing fiction is just to think about the story. Don't write anything down. Don't try to pull anything together right away. Just dream for a while and see what happens. There isn't any timetable involved, no measuring stick for how long it ought to take. For each book, it is different. But that period of thinking, of reflection, is crucial to how successful your story will turn out to be.
If you are ever completely satisfied with something you have written, you are setting your sights too low. But if you can't let go of your material even after you have done the best that you can with it, you are setting your sights too high.
You can either give in to what youre feeling, just say ‘okay, enough is enough’ and be done with it, or you can fight it.
The reader wants to see something happen between pages one and four hundred, and nothing happens if the characters don't change.
Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own.
The future is an ever-shifting maze of possibilities until it becomes the present. The future I have shown you tonight is not yet fixed. But it is more likely to become so with the passing of every day because nothing is being done to turn it aside. If you would change it, do as I have told you.
Might have, could have, may have, should have—the haves and have nots reduced to pointless possibilities.
Deception is mostly a game we play with ourselves.