Talib Kweli
Talib Kweli
Talib Kweli Greeneis an American hip hop recording artist, entrepreneur, and social activist. He is the son of professional educators. In 2011, Kweli founded Javotti Media, which is self-defined as "a platform for independent thinkers and doers". Kweli earned recognition early on through his work with fellow Brooklyn artist, Yasiin Bey, formerly known as Mos Def, when they formed the group Black Star. Kweli's career continued with solo success including collaborations with famed producers Kanye West, Just Blaze, and Pharrell...
NationalityAmerican
ProfessionMusician
Date of Birth3 October 1975
CountryUnited States of America
The way I see it, if people truly love my music, they will support me in some way down the road.
If you look at my career, doing albums with Norah Jones, Justin Timberlake, Gucci Mane and Lil Wayne or KRS-One and Jean Grae, I can't be pigeonholed.
If I focus on being an activist and my job is to be a rapper, I'm not going to be as good of a rapper. I need to focus on hip-hop and focus on making the music, so that when the activists come to me and they need my voice to create a platform, then I've got enough people listening to me. Not because I'm conscious, but because I'm dope.
I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
I don't think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop's ultimate responsibility is to critique social structures.
As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
Young kids should be doing music that has shock value. They'll grow out of it.
When I look at the arc of my career, my focus is on lyricism, right? I own that.
Well if somebody's giving me a script, I'll consider it. But it's not something I'm chasing.
So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.
Hip hop has always been, for us, for artists who are pure to the craft - any place overseas, whether it's Australia, any place in Asia, Germany, Africa, it becomes something where you can still go and work. Hip hop is an import culture. We're spoiled by it here. It's homegrown.
Just because someone has great content doesn't mean you like them as a rapper.
Coltrane had a sax, Dale Earnhardt drives a race car and everybody has their tools.