Suzanne Collins
Suzanne Collins
Suzanne Marie Collinsis an American television writer and novelist, best known as the author of The New York Times best selling series The Underland Chronicles and The Hunger Games trilogy...
NationalityAmerican
ProfessionNovelist
Date of Birth11 August 1962
CountryUnited States of America
brings draw grows incredible later lived lottery name people pretend
I loved 'A Tree Grows in Brooklyn.' I read it later as an adult, but I loved 'We Have Always Lived in a Castle.' And that brings you around to 'The Lottery.' You can't pretend - it's a lottery in which you draw a name and people die. That's a short story, but it's such an incredible short story.
children criteria gladiator meet necessary people rebellion taken terms war
In 'The Hunger Games,' in most people's idea, in terms of rebellion or a civil-war situation, that would meet the criteria for a necessary war. These people are oppressed, their children are being taken off and put in gladiator games. They're impoverished, they're starving, they're brutalized.
children easier eighteen people slightest war
I think it's very uncomfortable for people to talk to children about war, and so they don't because it's easier not to. But then you have young people at eighteen who are enlisting in the army, and they really don't have the slightest idea what they're getting into.
acting anxieties coming fears future gets people respond stories ways
I think people respond to dystopian stories because they're ways of acting out anxieties that we have and fears that we have about the future. So much media's coming at you over the Internet, your brain gets overloaded. You don't know what to do with it. And one thing you can do with it is read a story.
becomes forward gone gotten kept moving necessary people points time train until war
'The Underland Chronicles' is an unnecessary war for a very long time until it becomes a necessary war, because there have been all these points where people could have gotten off the train but they didn't; they just kept moving the violence forward until it's gone out of control.
people cost murder
Oh, no. It costs a lot more than your life. To murder innocent people?" says Peeta. "It costs everything you are.
wrinkles elderly people
In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren't scraping by like the majority of us. But here is different. Wrinkles aren't desirable. A round belly isn't a sign of success.
hurt kissing people
Maybe . . . because for the first time . . . there was a chance I could keep him,” I say. “So now that you've got me, what are you going to do with me?” “Put you somewhere you can't get hurt.” And when he kisses me, people in the room actually sigh.
makeup people imperfection
I send a silent thank-you to Dalton for suggesting I wash off the makeup. How ridiculous, how perverse I would feel presenting that painted Capitol mask to these people. The damage, the fatigue, the imperfections. That's how they recognize me, why I belong to them.
fighting people sandwiches
It's just me and the Bane. And I'm fighting him because he killed all of those innocent mice and people, and I have to stop him. Not because Sandwich says so but because I say so.
stupid people hazards
Obviously this person's a hazard. Stupid people are dangerous.
people arena bags
Yes, and I’m sure the arena will be full of bags of flour for me to chuck at people.
real wings people
If I could grow wings, I could fly. Only people can't grow wings," he say's. "Real or not real?" "Real," I say. "But people don't need wings to survive." "Mockingjays do.
people choices survival
What say you, Luxa?" said Vikus. "What can I say, Vikus? Can I return to our people and tell them I withdrew from the quest when our survival hangs in the balance?" said Luxa bitterly. "Of course you cannot, Luxa. This is why he times it so," said Henry. "You could choose to - " started Vikus. "I could choose! I could choose!" retorted Luxa. " Do not offer me a choice when you know none exits!" She and Henry turned their backs on Vikus.