Steven Spielberg
Steven Spielberg
Steven Allan Spielberg KBE OMRI is an American director, producer, screenwriter and editor. Spielberg is considered one of the founding pioneers of the New Hollywood era, as well as being viewed as one of the most popular directors and producers in film history. He is one of the co-founders of DreamWorks Studios...
NationalityAmerican
ProfessionDirector
Date of Birth18 December 1947
CountryUnited States of America
children reading television
There's been more written about Lincoln than movies made about him or television portraying him. He's kind of a stranger to our industry, to this medium. You have to go back to the 1930s to find a movie that's just about Abraham Lincoln. I just found that my fascination with Lincoln, which started as a child, got to the point where after reading so much about him I thought there was a chance to tell a segment of his life to to moviegoers.
television littles fiction
Because television doesn't offer the kind of budget that a movie offers, you've got to be a little more careful where you spend the money to put the fiction in science.
ideas television tables
Because of how much movies cost, it's dangerous to be experimental on one film after the other. But we can experiment with television. We can do things that are fringe and bring ideas to the table that are offbeat and original.
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Everybody who works for Amblin Television has to do five jobs.
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Television has a different biorhythm than movies. I love the biorhythm of TV.
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Through the visual arts, the performing arts, the art of music, the art of dance, the art of celebration of life, all of us are dedicated to making this Olympic opening and closing ceremonies the most emotional everyone has ever seen.
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It would make people more comfortable if I made a film that said all targeted assassination is bad, or good, but the movie doesn't take either of those positions. It refuses to. Many of those pundits on the Left and Right would love the film to land somewhere definite. It puts a real burden on the audience to figure out for themselves how they feel about these issues. There are no easy answers to the most complex story of the last 50 years.
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'E.T.' began with me trying to write a story about my parents' divorce.
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This opportunity ... allows all of us to reach out directly to open a much wider door.
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We don't demonize our targets. They're individuals. They have families. Although what happened in Munich, I condemn.
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I expected to see a party animal who was going to reap harvest with all the girls on the set. I found the opposite. Leo is a homebody.
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I was saddened that after long negotiations and many compromises we were unable to come to terms with Universal's parent company, GE.
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My intention was never to replace the original film. When people buy 'E.T.' I want them to know they have the original movie, not just for collectors and aficionados, but for everybody who remembers it and wants to continue remembering it just that way.
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My film refuses to be a pamphlet. My screenwriter, Tony Kushner, and I were hoping to make it a visceral, emotional and intellectual experience, combined in such a way that it will help you get in touch with what you feel are the questions the film poses. The most important thing about peace in the Middle East is that people surrender their absolute certainty about what's going on.