Steven Spielberg
Steven Spielberg
Steven Allan Spielberg KBE OMRI is an American director, producer, screenwriter and editor. Spielberg is considered one of the founding pioneers of the New Hollywood era, as well as being viewed as one of the most popular directors and producers in film history. He is one of the co-founders of DreamWorks Studios...
NationalityAmerican
ProfessionDirector
Date of Birth18 December 1947
CountryUnited States of America
media people tough-times
History is so fleeting and we are so busy consuming media and the contemporary culture, voraciously gobbling it up, that we have no room to look back ever, and our young people have a tough time looking back.
drama eye makeup
The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.
forget-everything forget ifs
Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.
matter sometimes imagine
Some movies I make for myself. I just sort of make them for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine I'm an audience.
people tools stories
I'm certainly hoping that 3D gets to the point where people do not notice it because once they stop noticing it, it just becomes another tool and an aid to help tell a story.
perfect stories opinion
Not every movie, in my opinion, should be in 3D. There are a lot of stories I wouldn't shoot in 3D. But, you know, there are movies that are perfect in 3D.
fall house-of-cards people
Movies principally require the best of everybody, all at the same time, being the best they can be. Not just like five people being the best they've ever been, and 10 people not being the best they could be. It's like if everybody is either doing their greatest work, or the whole house of cards falls apart.
eye people lenses
3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
school students ashamed
I love history. It was the only thing I did well at in school. I'm not ashamed to admit that I was not a good student but I was great at history.
summer cousin drama
I was fifteen, or sixteen. I was in high school. I was spending a summer in California with my second cousins. And I wanted to be a director really bad. I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.
wind feelings intellectual
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
thinking careers feelings
I think that the perceived downs in my own career come from just managing my time and not feeling that I have enough time for my family or my friends. You could put that in the personal life category but it's all one category because I've got to balance my family.
jobs real people
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
careers directors hollywood
The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.